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August 2019

In the magazine
Only available in print
  • The Production 100
    Tim Dams introduces Televisual’s Production 100 survey of the indie television sector, and reveals how producers are grappling to embrace new opportunities in a fast-changing TV landscape
  • The Genre Report: Factual TV
    Broadcasters are rethinking factual in light of streamer success in the genre. Pippa Considine reports
  • Bringing it Back
    A fresh approach to making archive docs is helping to boost their popularity with viewers. Michael Burns reports
  • IBC preview
    The Amsterdam show is a great place to check out new launches and the latest kit. Televisual offers a glimpse of what will be on offer this yea
  • HDR and Atmos
    The best way to create high-end drama using an HDR and Dolby Atmos workflow
  • Riverside returns
    A look inside the revamped London studio
From the magazine
Available to read online
  • UK VFX fights to stay on top
    The UK’s vfx industry has become a world beating business, but negotiating the post Brexit landscape will be crucial for keeping it on top. Jon Creamer reports
Read >>

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16 Sep

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18 Sep

Merman and ITG join to make branded content

Sharon Horgan’s Merman production company has entered into a Joint Venture...

18 Sep

Zig Zag makes ad for A+E Networks and Kia Motors

Zig Zag Productions has been commissioned by A+E Networks UK to produce a branded...

18 Sep

BBC Studios bolsters LA business with ex Netflix exec

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17 Sep

Survey: The Top Ten Pro Rental Cameras

Televisual’s annual top 10 listing of the UK’s most hired cameras is...

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Genre Report: Entertainment and Comedy

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The Televisual Bulldog Awards - the night in pictures

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5 Jul

The Planets: Behind the Scenes

For the BBC’s latest landmark science series, the show set itself the task of...

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HDR: Go with the flow

It is just under a year since the first series commissioned to go though an HDR...

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