Televisual’s Spring issue lands today and includes The Commercials 30 Survey; HETV Post Production special; The Live Event TV Genre Report; global documentary feature; The Top 10 Camera Survey, What the Streamers Want feature, Post Pandemic Building report and behind the scenes on Becoming You and Sky Sports F1 plans as well as a round up of all the best in vfx, animation, graphics and post
Post: Aiming High
Leading colour, audio and vfx artists tell Jon Creamer about dealing with the new demands of HETV post production and how to get the best creative outcome
The Genre Report
The strictures of lockdown have released a wave of creativity and innovation in Live Event TV. Tim Dams reports
The Commercials 30
Jon Creamer introduces Televisual’s exclusive annual survey of the best ad makers in the business including
Best in Show The industry’s favourite directors, ads, agencies, post houses and more
The Top 30 An A-Z list of the top commercials houses in the UK and their thoughts on the year ahead.
Doc Demand Goes Global
As streamer demand grows, so too does the need for docs with global appeal. And UK producers are well equipped to supply it. Pippa Considine reports
The Top 10 Cameras
Televisual’s annual list of the UK’s most hired cameras is now in its 15th year. Jon Creamer counts down the most in-demand models
Post Pandemic Building
The UK’s post sector has taken some knocks during lockdown, but many are now expanding, building and starting up new enterprises. Tim Dams reports
What the Streamers Want
Michael Burns finds out how production and post are navigating the very exacting workflow needs of the SVOD giants
Becoming You
Behind the scenes of Wall to Wall’s epic Apple TV+ documentary
RTS roundtable
Experts get together for an RTS roundtable on the effects of inward investment
SKY F1
How Sky Sports is producing the global F1 season in the midst of COVID restrictions
In Post & Storyboard
Recent work from Framestore, One of Us, Outpost VFX, Milk, Cinesite and more
Never miss an issue! The only way to ensure you get every copy of Televisual is to subscribe. To keep up to date with the ever evolving world of UK television and film production you should subscribe
Jon Creamer
Share this story