Televisual’s Spring issue lands today and includes The Commercials 30 Survey; HETV Post Production special; The Live Event TV Genre Report; global documentary feature; The Top 10 Camera Survey, What the Streamers Want feature, Post Pandemic Building report and behind the scenes on Becoming You and Sky Sports F1 plans as well as a round up of all the best in vfx, animation, graphics and post

Post: Aiming High

Leading colour, audio and vfx artists tell Jon Creamer about dealing with the new demands of HETV post production and how to get the best creative outcome

 

The Genre Report

The strictures of lockdown have released a wave of creativity and innovation in Live Event TV. Tim Dams reports

 

The Commercials 30

Jon Creamer introduces Televisual’s exclusive annual survey of the best ad makers in the business including
Best in Show The industry’s favourite directors, ads, agencies, post houses and more
The Top 30 An A-Z list of the top commercials houses in the UK and their thoughts on the year ahead.

 

Doc Demand Goes Global

As streamer demand grows, so too does the need for docs with global appeal. And UK producers are well equipped to supply it. Pippa Considine reports

 

The Top 10 Cameras

Televisual’s annual list of the UK’s most hired cameras is now in its 15th year. Jon Creamer counts down the most in-demand models

 

Post Pandemic Building

The UK’s post sector has taken some knocks during lockdown, but many are now expanding, building and starting up new enterprises. Tim Dams reports

 

What the Streamers Want

Michael Burns finds out how production and post are navigating the very exacting workflow needs of the SVOD giants

 

Becoming You

Behind the scenes of Wall to Wall’s epic Apple TV+ documentary

 

RTS roundtable

Experts get together for an RTS roundtable on the effects of inward investment

 

SKY F1

How Sky Sports is producing the global F1 season in the midst of COVID restrictions

 

In Post & Storyboard

Recent work from Framestore, One of Us, Outpost VFX, Milk, Cinesite and more

 

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Jon Creamer