Cambridge-based VFX studio Vine FX has appointed Ben Hicks as Visual Effects Supervisor alongside internal creative promotions,
Hicks rejoins Vine FX after a previous freelance stint, having held senior roles at Light Visual Effects, Axis Studios, Territory Studio, NVIZ, and DNEG.
He has contributed to major feature films and high-profile television projects, including Inception, Interstellar, Skyfall, Bohemian Rhapsody, Fast & Furious 6, Expendables, and many more.
“I’m delighted to rejoin Vine FX as a VFX Supervisor,” said Ben Hicks. “Having previously worked here in a freelance capacity, I am well aware of the exceptional talent and creativity within the team, and I look forward to contributing further with my experience.”
Alongside Hicks’ appointment, the studio has announced several internal promotions.
Kaitlyn Beattie moves up to Executive VFX Producer. Since joining Vine FX in 2020 as a VFX Line Producer, Beattie has advanced progressively through the production ranks and helped deliver some of the studio’s most ambitious projects. Her producing credits include major titles for top-tier platforms such as The Witcher (Netflix), HBO’s Get Millie Black, The Tourist (BBC) and The Lazarus Project (Studio Canal).
“I am thrilled to step into my new role as Executive VFX Producer at Vine FX,” Beattie said. “This is an exciting new chapter, and I’m ready to continue to drive the company forward, support our wonderful clients, and keep creating incredible work.
Tim Kilgour is promoted to Creative Lead. He joined Vine FX in 2023 and established himself as a key technical and artistic leader, supporting the growth of Vine FX’s CG department. His diverse credits as a CG and VFX artist include No Time to Die, Brave New World, and Shanghai Fortress, where he served as the show’s Creative Art Director. In his new role as Creative Lead, he will lead the team across upcoming productions, mentor artists, and “continue to raise the creative bar.”
“I’m honoured to step into this role as Creative Lead” said Kilgour. “This certainly feels like a natural evolution, and I’m looking forward to seeing where this next stage takes us as a team. We are all keen to keep pushing creative boundaries, telling visually unique stories and creating work we can all be proud of.”
Harry Byford becomes Head of Editorial. Byford joined Vine FX in 2022 as a Junior VFX Editor. Having honed his skills as an assistant editor at studios such as The Quarry and The Mill, he has “steadily progressed and become an integral part of the Vine FX team.” His credits include Disney’s Extraordinary Season 2, The Rig: Season 2, and Paris Has Fallen. In his new role as Head of Editorial, he will guide the Editorial team and oversee the studio’s editorial operations.
“I’m tremendously proud to be taking on my new role as Head of Editorial here at Vine FX,” said Byford. “I’m looking forward to elevating the company by leading our talented Editorial team, shaping the future of the department, and continuing to deliver outstanding work for our clients.”
Jon Creamer
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