How does a modern post house take a feature film or major drama for Netflix or the BBC from camera tests to final platform delivery? This Televisual deep dive, just published in the Spring issue, goes inside The Look’s picture finishing operation to map the complete workflow from rushes ingest, conform and grading through VFX integration, review, mastering and archive.
CTO and Director of Online Mark Maltby explores the complex and robust infrastructure required to deliver high-end projects for streamers, broadcasters and film clients. (It really isn’t as simple as first imagined.) The report also explores remote workflows, colour pipelines, storage strategy and the growing role of automation in post. For anyone working in post or VFX operations or commissioning, it’s a rare under-the-bonnet reveal of how premium content gets finished today.
Download the PDF here
With thanks to our report sponsors: AJA, ELEMENTS, ERA, Seagate and Videworks.
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Jon Creamer
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