French visual effects studio, The Yard VFX, is opening a new studio in London.
The studio “aims to bring its unique fusion of French creativity and international production expertise to the UK’s thriving film and television industry.”
Founded in Paris in 2014, The Yard was awarded the 2023 Cesar for Best Visual Effects on “Notre Dame on Fire,” directed by Jean-Jacques Annaud and has been nominated multiple times for prestigious awards, including the 2024 Emmy Awards for “All The Light We Cannot See,” directed by Shawn Levy.
“London is a dynamic hub for the global creative industry, and we are thrilled to bring our French flair and global experience to this exciting market,” said Laurens Ehrmann, Founder and Senior VFX Supervisor of The Yard. “With our new London studio, we aim to combine the best of French artistry with the incredible talent and vibrant creative scene of the UK.”
The new London studio will serve as an extension of The Yard’s operations, “fostering closer collaboration with UK-based production companies, filmmakers, and agencies.”
“We see this expansion as a natural progression in our journey,” Ehrmann added. “Our vision is to create a bridge between Paris and London, leveraging our international expertise with local insights to deliver groundbreaking visual effects. Our strategy has always been to expand where there is a wealth of talent, and the UK has long proven its appeal to creative professionals, including many French artists.”
By establishing a presence in London, The Yard “offers international clients the dual advantage of its renowned creative expertise and the opportunity to benefit from the UK’s attractive film and TV tax relief programs.”
“Our London studio will empower international clients to achieve the highest quality visual effects while maximizing the UK’s competitive tax incentives,” Ehrmann explained. “As we have done in France, we will provide a seamless, high-standard service that combines creative excellence with financial efficiency, making London the ideal base for our next chapter.”
Jon Creamer
Share this story
