Post house Clear Cut Group has completed an upgrade to its picture finishing and offline services across its sites following the upgrade of all its audio suites earlier in 2019.
An additional Baselight has been installed at the group’s West London facility delivering parallel workflows, offering 4K grading and HDR capabilities on the Sony X300 reference monitor, at all Clear Cut’s sites. Also a new Blackboard 2 grade panel has been added at the Bloomsbury site.
All 11 Online suites at Clear Cut and The Edit Store have also been upgraded with high performance workstations equipped with an array of creative plugins (inc. Mocha, Boris, Sapphire, and Baselight Editions). Alongside this there has been a comprehensive upgrade of the offline cutting rooms with new high-powered workstations.
Jess Nottage, Technical Director says "The demand we place on the technology at Clear Cut and The Edit Store is exponentially increasing. The impact these upgrades has been immediately well-received by our clients and the creative teams. All our services are now running on future -proofed platforms with enhanced toolsets which positions us well for the beginning of the new decade.”
Some programmes recently post produced at Clear Cut Group include; The Brexit Storm Continues: Laura Kuenssberg’s Inside Story (October Films, BBC Two), Thomas Markle: My Story (Alaska TV, Channel 5), My Grandparents’ War (Wild Pictures, Channel 4), Suicidal: In Our Own Words (Proper Content, Channel 5), Dispatches: Trump’s Plan for the NHS (Quicksilver Media, Channel 4) Iraq: A State of Mind (BBC Arabic), Pride of Britain: Celebrating 20 Years (Multi Story Media, ITV), , Sun, Sea and Surgery (The Garden, Channel 4).
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