The FilmLight Colour Awards crowned its 2026 winners yesterday at the ToruńCAMERIMAGE film festival in Poland with Company 3’s Greg Fisher and The Farm Post’s Aidan Farrell among the winners.
The 2026 Winners & Nominees
Theatrical Feature
WINNER: BUGONIA — graded by Greg Fisher (Company 3)
DEAD MAN’S WIRE — graded by Daniel de Vue (Trafik)
GROWTH OF THE SOIL — graded by Didrik Bråthen (TMLS)
PROJECT HAIL MARY — graded by David Cole (FotoKem)
RESURRECTION — graded by Qiang Tang (ATTAKK COLOR, Beijing)
TV Series / Episodic
WINNER: LORD OF THE FLIES — graded by Aidan Farrell (The Farm Post Production)
EUPHORIA (Season 3) — graded by Tom Poole (Company 3)
MONSTER: THE ED GEIN STORY (Season 3) — graded by Michael Hatzer (Picture Shop)
MY BRILLIANT CAREER — graded by Marina Starke
Spotlight & Documentary
WINNER: THE PRESIDENT’S CAKE — graded by Andu Radu (Abator)
ARMONY — graded by Valerio Liberatore (Frame by Frame)
CHICHERO — graded by Raúl Espinosa López (Misterio Color Lab)
ELEPHANTS IN THE FOG — graded by Marina Starke
I’LL BE GONE IN JUNE — graded by Nadia Khairat Gómez
Commercial
WINNER: NORTH FACE, ‘DEFY EASY’ — graded by Nadia Khairat Gómez
ASAHI SUPER DRY, ‘SEEK WHAT IS UNIQUE’ — graded by Andi Chu (Electric Theatre Collective)
SQUARESPACE, ‘UNAVAILABLE’ — graded by Greg Fisher (Company 3)
ZARA, ‘DELICATELY DISTRESSED’ — graded by Tim Masick (Company 3)
Emerging Talent
WINNER: KIDSUPER SS26, ‘THE BOY WHO JUMPED THE MOON’ — graded by Imri Agmon (S EC Studio)
ALTEA, ‘FW26’ — graded by Andrea Sabatelli
CHIELLO, ‘TI PENSO SEMPRE’ — graded by Leonardo Masoero
HUAWEI NOVA, ‘IN FULL BLOOM’ — graded by Haobo Wang (王普通)
“Every year, the Colour Awards demonstrate that colour grading is far more than technical finishing — it is an intrinsic language of cinematic emotion and visual depth,” stated Wolfgang Lempp, CEO of FilmLight. “To see such extraordinary artistry from both established industry pioneers and emerging talents across the globe is incredibly inspiring. Huge congratulations to all of our 2026 winners and nominees, who continue to redefine the boundaries of visual storytelling.”
Jon Creamer
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