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August 2019
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In the magazine
Only available in print
  • The Production 100
    Tim Dams introduces Televisual’s Production 100 survey of the indie television sector, and reveals how producers are grappling to embrace new opportunities in a fast-changing TV landscape
  • The Genre Report: Factual TV
    Broadcasters are rethinking factual in light of streamer success in the genre. Pippa Considine reports
  • Bringing it Back
    A fresh approach to making archive docs is helping to boost their popularity with viewers. Michael Burns reports
  • IBC preview
    The Amsterdam show is a great place to check out new launches and the latest kit. Televisual offers a glimpse of what will be on offer this yea
  • HDR and Atmos
    The best way to create high-end drama using an HDR and Dolby Atmos workflow
  • Riverside returns
    A look inside the revamped London studio
From the magazine
Available to read online
  • UK VFX fights to stay on top
    The UK’s vfx industry has become a world beating business, but negotiating the post Brexit landscape will be crucial for keeping it on top. Jon Creamer reports
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Reports&
surveys

Production Technology Survey, 2014 Back to Reports & survey Listing

Televisual’s annual Production Technology Survey reveals the production and post production kit the industry is using and what producers think of it. Tim Dams reports

The speed of change in production is faster than ever before. New cameras, editing kit and production technology are launched onto the market with such regularity that it’s difficult for many to keep up with what’s new and what’s best for their programme-making needs.

That’s where the Production Technology Survey comes in. Amidst a sea of competing products, we’ve sought to establish which are the most popular technology brands and models in production today, as well as highlighting the key technology trends that are driving the market. We’ve done this by asking 100 senior production execs for their views about the technology they use in production.

We have focused on a number of key areas. Firstly, on the opposite page, we take the temperature of the rapidly evolving camera market, revealing the most popular manufacturers and models. Next, we focus on post production, specifically editing, compositing and grading. We also look at the use of cloud technology and digital workflows in production. Finally, there’s also a whole page of findings on the take up and future of 4K.

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