VFX studio, JFX, has bolstered its senior creative leadership team with the appointment of Ingo Putze and Jenn Epstein as VFX Supervisor and Associate VFX Supervisor respectively.
Putze joins JFX as VFX Supervisor, having previously collaborated with the team on projects including Goodbye June, the recent directorial debut of Kate Winslet. His credits include The Woman King, Shazam! Fury of the Gods and Lee.
Epstein joins as Associate VFX Supervisor following a varied career at established VFX houses ILM, MPC and DNEG, where she held senior compositing and 2D supervisor roles. Her recent credits include The Fantastic Four: First Steps, Black Mirror and The Last Frontier.
Launched in April 2025 by the former leadership team behind Jellyfish Pictures’ VFX division, JFX is housed within the Troubadour Ecosystem alongside Troubadour Studios. JFX has worked on Netflix’s Goodbye June and currently has a roster of high-end television and independent film projects in production, due for release throughout 2026.
Phil Greenlow, JFX Managing Director, commented on the appointments, “Ingo and Jenn are exceptional creative leaders whose experience and creative excellence align perfectly with JFX’s ethos and plans for the future. Their combined strengths will help us continue to deliver bold, original work while scaling our creative capabilities.”
Greenlow added, “Having both previously collaborated with JFX and Jellyfish Pictures, Jenn and Ingo have a great rapport with the team and I am proud that they are joining the team on a long-term basis, further elevating our offering.”
Putze said, “I have worked with the team at JFX across a few projects now. Their approach to the industry and care for clients and crew make them an incredible company to work for. I am very happy to be continuing our relationship and delivering more great VFX for our clients.”
Epstein added, “JFX embodies the future of VFX. Technologically, they are spearheading the studio of tomorrow, and through their values and creative standards, they are showcasing how we should be operating in 2026. I am so excited to be part of the process, leading a great team across a wide range of projects, whilst doing what I love.”
Jon Creamer
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