Subscribe Online  
 

September 2018
£15.00


In the magazine
Only available in print
  • The Production 100
    Tim Dams introduces Televisual’s exclusive Production 100 survey of the indie television sector, now in its 26th year, and finds the rise of the streamers is creating opportunity –but also plenty of anxiety. The report includes the top 100 indies, the
  • The Genre report: Factual TV
    Demand for factual is growing as channels fight ever harder for audiences. Televisual Factual Festival producer Pippa Considine reports
  • All the Fun of the Fair
    ITV and Amazon’s new Vanity Fair adaptation demanded a period drama with a modern sensibility. But how was that balancing act achieved? Jon Creamer reports
  • The Art of the Vfx Super
    Creativity, tech know-how and a cool head are essential attributes for a vfx supervisor. Three top supers tell Jon Creamer how they help create screen magic
  • Channel 4's big move
    Three cities are still in the running for the new out-of-London Channel 4 HQ and three for the two creative hubs. The indies in those cities say the potential prize is immense. Jon Creamer reports
  • IBC preview
    IBC is a great place to check out both new launches and to get your hands on something already announced at NAB. Here’s a small taste of what’s likely to be on offer
From the magazine
Available to read online
Read >>

Reports&
surveys

Facilities 50 2010 Back to Reports & survey Listing

Challenges

Unrealistic
Budgets
Still at the top of post houses’ list of gripes is the “unrealistic budgets” provided for their work. Most of the companies completing survey forms singled out declining rates as a key challenge. Triangle is concerned about “the impact of lower budgets on quality of production” and Big Buoy sums up the general sentiment that “lower budgets make it difficult to maintain profit margins.”

Undercutting
Talking of lower bugets, Azimuth is amongst many, many post houses complaining that, “stupidly low bugets - they still get posted at a loss by someone”. Undercutting continues to be a major source of frustration. “Facilities giving work away at crazy prices can only end up with their downfall and others,” says Narduzzo Too.

Inhouse Facilities
Third on the list of challenges once more is production companies’ inhouse facilities. “Agencies and production companies absorbing post inhouse” is singled out by Unit as well as many others as their key concern. Meanwhile, Mwnci points to broadcasters also taking work inhouse as a challenge.

Opportunities

Stereoscopic 3d
Quite a number of post facilities are looking forward to “the stereo 3d revolution,” as Prime Focus puts it, which many feel is just round the corner. “3d stereo could breakthrough if it comes on the back of a job that fires up the public’s imagination,” sums up Time Based Arts.

File-based Working
There are opportunities for post houses in “making tapeless production easier” and “providing a reliable tapeless workflow” for their clients, says Azimuth, The Station and numerous others. Post houses have to keep on top of the many file-based formats and are well placed to assist clients with going tapeless.

Digital Platforms
“More creative channels means room for more growth, from TV and film through to digital,” says The Mill. Many facilities agree that digital platforms are good for business. Opportunities come from “being a market leader for the new media industry,” says Unit. Glassworks and Eon point to “digital services and the growth of the medical simulation market”, while Locomotion singles out “outdoor media”.

More Chapters

 



Televisual Media UK Ltd 23 Golden Square, London, W1F 9JP
©2009 - 2017 Televisual. All rights reserved
Use of this website signifies your agreement to the Terms of Use | Disclaimer