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March 2018
£10.00


In the magazine
Only available in print
  • Genre report - Entertainment and comedy
    In a two-part special, Tim Dams reports on TV’s fresh focus on entertainment, and new directions in comedy
  • The art of cinematography
    Four leading DoPs tell Michael Burns the secrets of their craft, and explain the techniques they used to create hits like Jason Bourne, The King’s Speech, Lion and Sherlock
  • The Top Ten Cameras
    Televisual’s annual survey reveals the UK’s most hired cameras of the year and uncovers the models everyone will be shooting on in the year ahead
  • TV Studios
    The television studios sector is in flux, amid a spate of closures and re-developments. Pippa Considine reports on a changing studios landscape
  • Take it outside
    Major technical advances such as UHD, HDR and IP are driving big changes in the outside broadcast market. Michael Burns reports
  • And lots more
    This issue also features the Televisual Corporate 50, bright ideas for lighting, how post houses are dealing with the data bulge and pages showcasing the best creative work in UK post and vfx
From the magazine
Available to read online
  • Game On for C4 & Netflix drama
    Set in the world of computer gaming, C4 and Netflix’s Kiss Me First combines live action and impressive cg animation. Tim Dams reports
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Reports&
surveys

Facilities 50 2010 Back to Reports & survey Listing

How the Facilities 50 works
Each post house is ranked on four factors – turnover, producer votes, kit/services and peer votes. Each of these rankings is then weighted proportionally to create the final listing and overall ranking. 50% of the overall ranking is based on turnover. The producer votes make up 30% of the final score, 15% is down to the kit/services provided by the post house and the remaining 5% is the peer vote.

Kit/ services

A post house’s kit/services ranking depends on the range and scale of the services it provides. The more extensive the range of kit/services, the higher the score. The total points a company can receive for any one service is capped to stop a company with hundreds of vfx workstations but comparatively few other services, for example, from topping the list on the basis of its vfx alone.

Producer votes

The producer votes are pulled together from a series of different surveys published in Televisual throughout the year. During our ‘Production 100’ survey we ask broadcast indies to name the three post houses they use the most, and the three they rate the most. We ask the same of commercials producers in our ‘Commercials 30’ survey, and we ask corporate producers in our ‘Corporate 50’ survey. On top of this, we receive votes from production managers working in different genres (including feature films) as part of our annual production management survey.

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