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November 2018
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In the magazine
Only available in print
  • The Facilities 50
    Jon Creamer launches Televisual's 31st exclusive annual Facilities 50 survey featuring the top post production houses in the UK and 48 pages of analysis of the sector
  • The Commercials 30
    Jon Creamer introduces Televisual’s exclusive Commercial 30 survey, reporting on a year of highs and lows for commercials producers.
  • The Drama Genre Report
    With competition from streamers intensifying, UK broadcasters are exploring new drama strategies. Tim Dams reports
  • Primary Colours
    Five leading movie colourists tell Michael Burns the secrets of their craft, and explain the techniques they use to grade movies like The Danish Girl, Peterloo and Baby Driver
  • Up, up and away!
    Thanks to advances in camera technology, the possibilities of aerial filming are greater than ever before. Pippa Considine reports on some of the year’s standout aerial projects
  • OB: Which Way Now
    The OB industry is embracing major change as it adapts to the worlds of UHD, HDR and IP. Michael Burns reports
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Reports&
surveys

Facilities 50 2010 Back to Reports & survey Listing

How the Facilities 50 works
Each post house is ranked on four factors – turnover, producer votes, kit/services and peer votes. Each of these rankings is then weighted proportionally to create the final listing and overall ranking. 50% of the overall ranking is based on turnover. The producer votes make up 30% of the final score, 15% is down to the kit/services provided by the post house and the remaining 5% is the peer vote.

Kit/ services

A post house’s kit/services ranking depends on the range and scale of the services it provides. The more extensive the range of kit/services, the higher the score. The total points a company can receive for any one service is capped to stop a company with hundreds of vfx workstations but comparatively few other services, for example, from topping the list on the basis of its vfx alone.

Producer votes

The producer votes are pulled together from a series of different surveys published in Televisual throughout the year. During our ‘Production 100’ survey we ask broadcast indies to name the three post houses they use the most, and the three they rate the most. We ask the same of commercials producers in our ‘Commercials 30’ survey, and we ask corporate producers in our ‘Corporate 50’ survey. On top of this, we receive votes from production managers working in different genres (including feature films) as part of our annual production management survey.

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