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September 2018
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  • The Production 100
    Tim Dams introduces Televisual’s exclusive Production 100 survey of the indie television sector, now in its 26th year, and finds the rise of the streamers is creating opportunity –but also plenty of anxiety. The report includes the top 100 indies, the
  • The Genre report: Factual TV
    Demand for factual is growing as channels fight ever harder for audiences. Televisual Factual Festival producer Pippa Considine reports
  • All the Fun of the Fair
    ITV and Amazon’s new Vanity Fair adaptation demanded a period drama with a modern sensibility. But how was that balancing act achieved? Jon Creamer reports
  • The Art of the Vfx Super
    Creativity, tech know-how and a cool head are essential attributes for a vfx supervisor. Three top supers tell Jon Creamer how they help create screen magic
  • Channel 4's big move
    Three cities are still in the running for the new out-of-London Channel 4 HQ and three for the two creative hubs. The indies in those cities say the potential prize is immense. Jon Creamer reports
  • IBC preview
    IBC is a great place to check out both new launches and to get your hands on something already announced at NAB. Here’s a small taste of what’s likely to be on offer
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Reports&
surveys

Facilities 50 2010 Back to Reports & survey Listing

31 Halo
80 Great Portland Street, London, W1W 7NW and 75-77 Margaret Street, London, W1W 8SY
t 020 7636 5766
e jo@halopost.tv and john@halopost.tv
w halopost.tv
Md John Rogerson Facility manager Jo Beighton Customer Services Jo Beighton, Lucy Allen Genre TV, ads
Credits Lennon Naked, Richard Hammond’s Invisible Worlds, Outnumbered, Horizon
Services audio (5.1, foley, ADR), grading (4k), editing, DVD, film restoration
Turnover £1.9m
KIT 32nd= PRODUCER 29th= TURNOVER 37th PEER 19th=


Halo Post almost doubled in size last year after acquiring Spirit Studios in Margaret Street. It means Halo now operates out of two central London locations. Managing director John Rogerson says Halo is eyeing further “expansion in production hotspots through acquisition and partnership.” Some 75% of Halo’s work comes from the broadcast market, with 10% from commercials and some in corporate, film and promos. Halo employs 24 full-time staff, making it – in the words of Rogerson – “small enough to care, big enough to handle large projects.” The company owners are also operators. Halo has ploughed £200k into kit upgrades over the last year, and plans a £100k-plus spend this year.

32 Big Buoy
71 Beak Street, London, W1F 9SW
t 020 3206 6750
w bigbuoytv.co.uk
e production@bigbuoytv.co.uk
Mds Jim Allen, Colin Sumsion Facility manager Barny Wright Customer services Jon Hurst Genres ads
Credits Cheesestrings ad, Robinsons Birdhouse
Services grading (4k), telecine (4k), vfx (2d, 3d, animation), editing, DVD, Blu-ray, camera hire
Turnover £2.2m
KIT 19th PRODUCER 41st= TURNOVER 33rd PEER 33rd=


33 Locomotion
1-8 Bateman’s Buildings, South Soho Square, London, W1D 3EN
t 020 7304 4403
w locomotion.co.uk
e knowledge@locomotion.co.uk
Md Dan Coster Facility manager Christian Williamson Customer services Chris Mckeeman
Genres ads, new media
Credits ads for Tropicana and Flybe
Services audio (5.1), grading (4k), vfx (2d, 3d, animation), editing, DVD, camera hire
Turnover £3.2m
KIT 31st PRODUCER 52nd= TURNOVER 26th PEER 33rd=


34 Director’s Cut
6-10 Great Portland Street, London, W1W 8QL
t 020 7637 7342
e natalie.bayford@directorscutfilms.com
w directorscutfilms.com
Md Mark Manning Facilities director Indi Gavin Customer services Natalie Bayford Genres TV
Credits Wormwood Scrubs, MI High
Services audio (5.1, ADR), grading (2k), editing
Turnover £1.3m
KIT 44th=PRODUCER 23rd= TURNOVER 42nd= PEER 12th=


35 Editworks
77-79 Charlotte Street, London, W1T 4PW
t 020 7079 2900
e edit@editworks.co.uk
w editworks.co.uk
Md Graham Hutchings Facility manager Lara Horgan Customer services Victoria Finlay
Genres TV
Credits Take Me Out, Harry Hill’s TV Burp Services audio (5.1), editing, DVD
Turnover £2.5m KIT 59th= PRODUCER 38th= TURNOVER 29th= PEER 19th=

36 Stanley Productions
147 Wardour Street, London, W1F 8WD
t 020 7439 0311
e sales@stanleyproductions.co.uk
w stanleysonline.co.uk
Md Stanley Aarons Facility manager Steven Langston Customer services Jenny Bond
Genres TV, corporate
Credits Archival work for RSC Services audio (5.1), editing, DVD, Blu-ray
Turnover £6m
KIT 59th= PRODUCER 52nd= TURNOVER 20th PEER 33rd=

37 Exposure

37-38 Newman Street, London, W1T 1QA
t 020 7436 1200
w exposurepost.co.uk
e bookings@exposurepost.co.uk
Mds Susan Jones, Paul Jones Facility manager Susan Jones Customer services Kerry Prager
Genres TV, corporate
Services audio (5.1, foley, ADR), grading (4k), vfx (2d, 3d), editing, DVD, Blu-ray
Turnover £1.2m
KIT 30th PRODUCER 29th= TURNOVER 45th= PEER 33rd=

38 Editz
Astley House, Quay Street, Manchester, M3 4AE
t 0161 906 4900
e rob.pickard@editz.co.uk
w editz.co.uk
Mds Paul Whiting, Rob Pickard, Rob Edney Facility manager Rob Edney Customer services Paul Pickard
Genres ads, corporate, TV
Credits Rebrands of MUTV and LFCTV
Services audio (5.1, foley, ADR), grading (4k), vfx (2d, 3d), editing, DVD, Blu-ray, film (resoration, recording), camera hire
Turnover £1.4m
KIT 20th PRODUCER 41st= TURNOVER 41st PEER 33rd=

39 The Joint
Wedgwood Mews, 12-13 Greek Street, London, W1D 4BA
t 020 7734 1674
e sarah@thejoint.tv
w thejoint.tv
Md Sarah Mackay Facility manager Irene Waireri Customer services Sarah Mackay
Genres TV, new media
Credits Take That: The Circus Live, Paul McCartney: Good Evening New York City
Services audio (5.1), grading (4k), vfx (2d, 3d, animation), editing Turnover £1.5m
KIT 41st= PRODUCER 36th= TURNOVER 39th= PEER 33rd=

40 The Station
46 Bloomsbury Street, London, WC1B 3QJ
t 020 7292 9595
e jenny@the-station.com
w the-station.com
Md Michael Peatfield Facility manager Jenny Field Customer services Suzanne Wright
Genres TV, corporate
Credits Bill Bailey’s Bird Watching Bonanza, Dispatches, The Secret Life of Chaos
Services audio (5.1), grading (4k), vfx (2d, 3d), editing
Turnover £1m KIT 43rd PRODUCER 27th= TURNOVER 49th= PEER 33rd=


Michael Peatfield, md of The Station, which concentrates mainly on broadcast work as well as corporate, comments that the recession has led to an “Increased incidence of undercutting from the larger facilities. We work hard to ensure that our clients receive and appreciate the added value that The Station gives to every project.” The company put its investment energies into upgrading its edit suites as well as “storage and asset management solutions” and “Ingest and transcoding stations.” It picked up work across various genres including Dispatches docs, Bill Bailey’s Birdwatching Bonanza for Fever Media and Confused.com’s ITV weather sponsorship and hopes next year to be “developing new areas of business and increasing market share.”

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