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August 2019
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  • The Production 100
    Tim Dams introduces Televisual’s Production 100 survey of the indie television sector, and reveals how producers are grappling to embrace new opportunities in a fast-changing TV landscape
  • The Genre Report: Factual TV
    Broadcasters are rethinking factual in light of streamer success in the genre. Pippa Considine reports
  • Bringing it Back
    A fresh approach to making archive docs is helping to boost their popularity with viewers. Michael Burns reports
  • IBC preview
    The Amsterdam show is a great place to check out new launches and the latest kit. Televisual offers a glimpse of what will be on offer this yea
  • HDR and Atmos
    The best way to create high-end drama using an HDR and Dolby Atmos workflow
  • Riverside returns
    A look inside the revamped London studio
From the magazine
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  • UK VFX fights to stay on top
    The UK’s vfx industry has become a world beating business, but negotiating the post Brexit landscape will be crucial for keeping it on top. Jon Creamer reports
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Reports&
surveys

The Commercials 30 2018 Back to Reports & survey Listing

Welcome to Televisual’s Commercials 30, our annual survey of the UK’s commercials production sector.

Every year, we send survey forms out to the UK’s commercials production companies and ask them a series of questions both about their own businesses and the state of the sector in general. Their answers go on to help form the rankings you see in the top 30 list on the following pages. Their answers also allow us to map the financial fortunes of the business, from the rise and fall of the average turnover to how far budgets are falling. As well as finding the big numbers, the survey also allows us to track how commercials production companies are thinking and feeling about the business, and what they see as the main issues affecting the sector now and what will be the issues in the years to come.

It also gives producers the chance to name check the rival production companies, directors, agencies, post houses, editors and vfx stars they see as deserving of recognition.

How it works
For a place in the Top 30, a commercials production outfit is ranked by its showing at eight award shows (Cannes Lions, Clios, Kinsale Sharks, D&ADs, British Arrows, Creative Circle Awards, New York Festivals, APA Collection), its standing among its peers, its turnover and the number of votes its directors and its work received in the survey.

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