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November 2019

In the magazine
Only available in print
  • The Facilities 50
    Jon Creamer launches Televisual's 32nd exclusive annual Facilities 50 survey featuring the top post production houses in the UK and 48 pages of analysis of the sector
  • Aim High
    10 page special report on production at the high end. We take a look at what’s new in colour management, pre visualisation, aerial filming, full frame shooting, the role of the DIT, working with Dolby Atmos, choosing the right codec, booking studios and
  • Drama: Genre Report
    As the streaming revolution gathers pace, with Apple TV+ and Disney+ now entering the SVOD fray, Tim Dams reports on the drama strategies of traditional broadcasters in an increasingly competitive market
  • Live Sport: Technology
    Live sports and events coverage, always on the cutting edge of innovation, is being transformed by new technology from remote production to 5G and immersive sound. Michael Burns reports
  • The Art of the Grade
    The grade provides a consistent ‘look’ to a drama, but a great grade can enhance mood, focus and narrative flow. Jon Creamer asks the experts behind Paddington, Ad Astra, Bohemian Rhapsody, Fleabag and more how it’s done
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Commercials 30 Survey 2017 Back to Reports & survey Listing

Park Pictures
5 Old Nichol St, London, E2 7HR 
t 020 3327 3040 ep/md Stephen Brierley ep/head of production Sophie Hubble  head of talent Frankie Singler credits Big Bang by Emmanuel Lubezki for BBH/Absolut; Youth Can Do It by Andrea Arnold for CHI & Partners/Prince’s Trust

Having American Honey and Fish Tank director Andrea Arnold shoot her first TV ad for the Prince’s Trust with CHI & Partners was a big moment, says Park, as was the signing of Cannes Lions Grand Prix winner Terence Neale and also Vincent Haycock’s spot Love Labryinth for the One Foundation, picking up Gold and Silver at the Clio and D&AD respectively. There was also AG Rojas’s film for saxophonist Kamasi Washington at the Whitney Biennial.

Tomboy Films
Westbourne Studios, 
242 Acklam Road, London, 
W10 5JJ t 020 8962 3456 
eps Glynis Murray, Barnaby Spurrier rep exec Jane White
credits A Better Way by Shane Meadows for Leo Burnett/The Co Op; Heads Together | Prince William and Lady Gaga by Greg Nugent for The Royal Foundation

Tomboy says the last year has been about “expanding our production remit – we now work with agencies for traditional ads, with agencies for content, with clients direct for content and also with the world of theatre making live cinema broadcasts.”
That diversification comes as “the world of commercials gets harder and harder as budgets are squeezed and competition gets stronger.” But, says Tomboy, “having big name feature directors on our roster means that we do get large budget commercials where they want a big name director” and that’s a good thing because “what seems to be being squeezed out is the mid range budget commercial which used to be our bread and butter.”

35 Adam and Eve Mews, 
London W8 6UG
t 020 7299 1000
ep Mike Wells ep Helen Langridge
producer Tim Daukes
credits Different But the Same by Simon Ratigan
for Joint London/Amazon; Connected by Ben Craig Drummond for Central/Bet365

114 New Cavendish Street, 
London, W1W 6XT 
t 020 3145 0960 director of development Francesca Woods md James Covill credits The Ultimate Test Drive by Michel + Nico for Publicis London/Renault; Lair/Temple by Hanna-Maria Heidrich for Above and Beyond/Betway

1 MacKenzie Rd, London N7 8QZ
t 020 7267 5000
md John Doris head of production Nick Papworth 
head of sales Ronae Rayson
credits Sky – Value Redefined by Sam Miller for Sapient/Sky; Red House by Christian Bevilacqua for BBH/Virgin Media

Floor 3, 6-8 Bonhill Street
London EC2A 4BX 
t 020 7096 0968 md/ep Jeremy McWilliams producer Tom Whitehead producer Max Thomas credits Handle with Care by Rudi Schwab for Grey NY/Gilette Chase by Lino Russell for Dentsu Tokyo/Lexus

2 Prince’s St, Mayfair, London,
W1B 2LB t 020 7636 6648
md Philip Dupee ep Finn James 
head of new business Matt Francis credits Nagging Doubt by Julian Pugsley for BJL Manchester/Swinton Insurance; Life well Crafted by Stuart Parr for Doner Agency Los Angeles/Nescafe

Dark Energy
3rd Floor, 15 Little Portland Street, London, W1W 8BW 
md /ep Matt Brown head of sales Debby Eden production manager Jonny Beck credits The Big Swim by Sean Thompson for Who Wot Why/giffgaff; Boy’s Don’t Cry by David Stoddart for TMW Unlimited/Lynx

National House, 60–66 Wardour St, W1F 0TA t 020 7292 9600 md/ep Nick Crabb ep Aly Moffat directors rep Rikki Percival credits British Airways Safety Video by Becky Martin for BBH/British Airways / Comic Relief; We’re On The Side of Food by Jason Lowe for Ogilvy/Hellmann’s

Another Film Co
12 Percy Street, London W1T 1DW
t 020 7307 7750 partner/md Tim Marshall partner/ep Simon Monhemius new business Elise Jeanrenaud credits Pride & Breadjudice by Declan Lowney for WCRS/Warburtons; Sky Q by Steve Reeves for Brothers & Sisters/Sky

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