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July 2018
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In the magazine
Only available in print
  • Live and direct
    From concerts to cup finals and ceremonial occasions, live events are increasingly important to broadcasters. Tim Dams reports
  • Cutting comments
    In advance of EditFest London 2018, four editors from the worlds of live action and animation who’ve shaped films from Top Gun to Wonderwoman 
to Sweeney Todd, tell Jon Creamer what it takes to create the perfect cut
  • All the World's a stage
    …And nowhere more than the UK, where studios are coping with an unprecedented demand for studio space from TV and film productions. Pippa Considine reports
  • Let's get high
    From the shoot to final delivery, Michael Burns discovers the best route to HDR
  • Tools of the trade
    Televisual’s annual Production Technology Survey reveals the kit that producers are using to make their content – and what they think of it. Jon Creamer reports
  • Get some focus
    Major changes in the camera market have 
made lens choice more important than 
ever. Phil Rhodes runs through some of 
the best options for programme makers
From the magazine
Available to read online
  • The art of the edit
    In advance of EditFest London 2018, four editors from the worlds of live action and animation tell Jon Creamer what it takes to create the perfect cut
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Reports&
surveys

Commercials 30 Survey 2017 Back to Reports & survey Listing

01
somesuch

somesuch.co
Unit 2, Royle Studios,
41 Wenlock Road,
London, N1 7SG
t 020 3487 1270
founding partners/eps
Sally Campbell, Tim Nash
MD/EP Seth Wilson
credits #bloodnormal by Daniel Wolfe for AMV BBDO/Libresse; This Girl Can by Kim Gehrig for
FCB Inferno/Sport England

Somesuch shoots straight in to the number one spot in the overall 30 this year. That’s on the back of a fantastically creative 12 months. Somesuch picks out Daniel Wolfe’s work, saying the director “made history” with #bloodnormal for Libresse that showed “realistic period blood for the first time.” There were big ads from Aoife McArdle too, including her Audi spot, the only ad from a female director in the Superbowl.
Kim Gehrig brought back This Girl Can with Phenomenal Woman, and helmed “a faultless continuous shot for Uber’s Effortless Night.” Somesuch signed its 10th female director with Lynne Ramsay, known for We Need to Talk About Kevin. The company won its first BAFTA with short film Home and is in production on three long-form docs for fashion platform M2M and in development with BBC Films on a feature length production.


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