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March 2018
£10.00


In the magazine
Only available in print
  • Genre report - Entertainment and comedy
    In a two-part special, Tim Dams reports on TV’s fresh focus on entertainment, and new directions in comedy
  • The art of cinematography
    Four leading DoPs tell Michael Burns the secrets of their craft, and explain the techniques they used to create hits like Jason Bourne, The King’s Speech, Lion and Sherlock
  • The Top Ten Cameras
    Televisual’s annual survey reveals the UK’s most hired cameras of the year and uncovers the models everyone will be shooting on in the year ahead
  • TV Studios
    The television studios sector is in flux, amid a spate of closures and re-developments. Pippa Considine reports on a changing studios landscape
  • Take it outside
    Major technical advances such as UHD, HDR and IP are driving big changes in the outside broadcast market. Michael Burns reports
  • And lots more
    This issue also features the Televisual Corporate 50, bright ideas for lighting, how post houses are dealing with the data bulge and pages showcasing the best creative work in UK post and vfx
From the magazine
Available to read online
  • Game On for C4 & Netflix drama
    Set in the world of computer gaming, C4 and Netflix’s Kiss Me First combines live action and impressive cg animation. Tim Dams reports
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Reports&
surveys

Commercials 30 Survey 2017 Back to Reports & survey Listing

We asked the commercials production companiies about the rival commercials production companies they most respect?

01 Somesuch
Somesuch takes first position in the Peer Poll again this year with fellow production houses citing its “talent and freshness.” Its roster also pulls in compliments with one voter simply saying,  “Kim Gehrig, Daniel Wolfe, Aoife McArdle – what’s not to like?” Its peers also say of Somesuch, “they make good work with talented young directors” while others say it is “continuing to make some of the most exciting commercial and music video work as well as championing new young, diverse directors.”


=02 academy
It’s equal second for Academy in the Peer Poll this time with its voters describing it as “consistently strong at the top end and with a great eye for new talent.” There’s praise for the management too with one voter saying “Lizie [Gower] and Simon [Cooper] are extremely focused and keep a very talented roster busy. ” There’s all round praise from others, with voters giving it the thumbs up “for its consistency in producing beautiful work and the stable of directors they represent”


=02 rattling stick
Rattling Stick also gets second spot in the Peer Poll with voters pointing to its recent work for “Audi, Mercedes, Jose Cuervo, Bernardo’s” while another simply cites ”Ringan” as reason enough.


=02 rogue
There’s an equal second for Rogue too. That’s down to the fact that “they’ve grown from a very small company to being one of the best and most impressive and produce consistently brilliant work (the bastards!!!)” Others say Rogue does “standout work and they are nice people to work with (from what we hear). They share our ethos for top quality talent and production, alongside exceptional service.”


05 blink
Blink takes fifth position in the poll on the back of its “consistently high levels of work” and for “Dougal [Wilson] and good leadership.”


=06 outsider
Joint sixth for Outsider in this year’s poll for producing “a good range of quality work across many genres” and for its “consistent solid work.”


=06 riff raff
Riff Raff also takes sixth place with voters saying “[owner] Matt Fone is a straight talking decent fella, and creatively they have pushed the boundaries and have really rattled the old guard production companies.”


08 Smuggler
Smuggler gets eighth spot for its “good, varied work,” and for being a “top level company with a very good year going for them.”


=09 biscuit, filmworks,
Picasso Pictures,
Pretty Bird, Pulse Flms

Equal ninth for Biscuit, Picasso, Pretty Bird and Pulse Films.  Biscuit’s voters point to “great work from Jeff Low, as well as the fantastic EP in Hanna Bayatti.” Pretty Bird’s fans point to its “love and time given to music videos.”

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