Subscribe Online   Place your Ad here!
 

October 2017
£4.95


In the magazine
Only available in print
  • The Facilities 50
    Jon Creamer launches Televisual's 30th exclusive annual Facilities 50 survey featuring the top post production houses in the UK and 52 pages of analysis of the sector
  • Interview: Grant Mansfield
    Hiring top talent and investing heavily in development have been key to growing his Bristol indie Plimsoll Productions, says founder Grant Mansfield
  • The clear view: lenses
    What ever genre you work in, you need to be lens savvy. Here three DoPs guide us through the lens market, picking out the models they like to use in drama and factual
  • Over the top
    The growth of Netflix and Amazon is proving a boon for UK indies, but broadcasters are starting to panic. Tim Dams reports
From the magazine
Available to read online
  • Blue Planet II
    The producers of Blue Planet II tell Tim Dams how tech advances and military planning helped them capture the secrets of the deep
Read >>

Reports&
surveys

Production 100, 2017 Back to Reports & survey Listing

Which indies are the leading suppliers of shows in the key TV genres? Find out from our top suppliers tables, based on hours produced

The Holy Grail for many independent producers is to win volume commissions that can underpin their production business year in year out. Such long-runners provide a measure of financial stability and visability, leaving indies less dependent on an unpredictable smattering of one-off commissions.

The tables on the ‘genre king’ pages reveal some of the indies that have achieved this. In many cases, they are companies that have produced the same show for many years.

Tiger Aspect, for example, heads up the comedy table, having gone into production this year on the tenth series of Benidorm, following a two series order for the show. “It allows us to be bolder and more creative with the stories, and production-wise to plan the shows more efficiently,” says Tiger Aspect COO Helen Wright.  It’s followed by top comedy producers Avalon and Roughcut, the indies behind Not Going Out and Trollied respectively.

Lime Pictures, meanwhile, heads up the drama table, having produced C4’s long-running soap Hollyoaks for the past 22 years. In eighth place, Red Planet’s Death in Paradise has recently been commissioned for a seventh series.

Remedy Productions heads the entertainment table, producing a raft of programming for MTV. It’s followed by Initial and Thames, the producers of long-running entertainment shows Big Brother and The X Factor respectively.

The daytime table contains indies producing hundreds of hours of volume programming. It is led by Princess Productions, which makes live daytime shows most days of the week (The Wright Stuff, Saturday Kitchen). In second place is Tinopolis Cymru which makes S4C staple Prynhawn Da.

The Welsh indie also tops the popular actual table thanks to a slate of Welsh-language shows like Cymoedd Roy Noble. It’s followed by the prolific Studio Lambert, producer of hit formats Gogglebox and Tattoo Fixers.

The documentary table is led this year by Blast! Films, which has had a busy year with 63 hours of doc commissions including Reported Missing, The Supervet, Secret Life of the Zoo, Saving Lives at Sea and 999: What’s Your Emergency?. In second place is Knickerbockerglory, buoyed by producing 35 hours of GPs Behind Closed Doors for Channel 5.

Off the Fence tops the specialist factual table, with credits including Destination Wild for Nat Geo. In second place is 3DD Productions, which makes a raft of shows for Sky Arts including Discovering Music and Discovering Film.





More Chapters

 
Televisual Media UK Ltd 23 Golden Square, London, W1F 9JP
©2009 - 2017 Televisual. All rights reserved
Use of this website signifies your agreement to the Terms of Use | Disclaimer