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November 2019
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  • The Facilities 50
    Jon Creamer launches Televisual's 32nd exclusive annual Facilities 50 survey featuring the top post production houses in the UK and 48 pages of analysis of the sector
  • Aim High
    10 page special report on production at the high end. We take a look at what’s new in colour management, pre visualisation, aerial filming, full frame shooting, the role of the DIT, working with Dolby Atmos, choosing the right codec, booking studios and
  • Drama: Genre Report
    As the streaming revolution gathers pace, with Apple TV+ and Disney+ now entering the SVOD fray, Tim Dams reports on the drama strategies of traditional broadcasters in an increasingly competitive market
  • Live Sport: Technology
    Live sports and events coverage, always on the cutting edge of innovation, is being transformed by new technology from remote production to 5G and immersive sound. Michael Burns reports
  • The Art of the Grade
    The grade provides a consistent ‘look’ to a drama, but a great grade can enhance mood, focus and narrative flow. Jon Creamer asks the experts behind Paddington, Ad Astra, Bohemian Rhapsody, Fleabag and more how it’s done
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Reports&
surveys

Production Technology Survey, 2017 Back to Reports & survey Listing

There is no indication that the industry is gearing up for a major virtual reality push any time soon.

Some 13% of respondents said they have produced VR content, the same as last year’s survey.

However, the number saying they are thinking of producing VR content has fallen, from 33% last year to 23% this year.

Few have produced true immersive virtual reality projects; most of our respondents have instead produced experimental 360 degree projects, using GoPro rigs or the Kodak PixPro.

There’s a feeling that VR has specific uses, and is not for every production. Others say that the camera technology is not yet good enough, and they are waiting for improvements. 

There is also concern about the financial viability of VR projects. “We’d love to do 360 video, but we haven’t yet been commissioned for a project where it would add any value,” says one respondent.




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