Subscribe Online  
 

July 2018
£15.00


In the magazine
Only available in print
  • Live and direct
    From concerts to cup finals and ceremonial occasions, live events are increasingly important to broadcasters. Tim Dams reports
  • Cutting comments
    In advance of EditFest London 2018, four editors from the worlds of live action and animation who’ve shaped films from Top Gun to Wonderwoman 
to Sweeney Todd, tell Jon Creamer what it takes to create the perfect cut
  • All the World's a stage
    …And nowhere more than the UK, where studios are coping with an unprecedented demand for studio space from TV and film productions. Pippa Considine reports
  • Let's get high
    From the shoot to final delivery, Michael Burns discovers the best route to HDR
  • Tools of the trade
    Televisual’s annual Production Technology Survey reveals the kit that producers are using to make their content – and what they think of it. Jon Creamer reports
  • Get some focus
    Major changes in the camera market have 
made lens choice more important than 
ever. Phil Rhodes runs through some of 
the best options for programme makers
From the magazine
Available to read online
  • The art of the edit
    In advance of EditFest London 2018, four editors from the worlds of live action and animation tell Jon Creamer what it takes to create the perfect cut
Read >>

Reports&
surveys

Production Technology Survey, 2017 Back to Reports & survey Listing


Avid retains its crown as the industry’s most popular editing system, with 54% of the vote.
However, this is down on last year’s score of 60% and comes as Adobe gains a growing share of the market. Adobe Premiere is now the primary editing system of 33% of our respondents, up from 27% last year.

Meanwhile, the popularity of Apple FCP 6, 7 or studio finally seems to be waning, down four percentage points to 9%. On the rise, though, is DaVinci Resolve’s editing software, which has snagged 5% of the vote this year.

It looks unlikely, however, that Avid will lose its crown anytime soon, particularly in TV. The system continues to have a strong legacy of support in post production. More than one respondent describes Avid as “the industry standard.” Others describe it as ‘robust’ as well as ‘reliable and stable’, and particularly good for large volumes of data. A drama producer comments: “Avid is what our editors like to use.” A factual series producer adds: “The best editors seem to prefer it.”

Adobe, meanwhile, has a strong presence in the corporate, commercials and, increasingly, factual TV market. Many say it is good for short form work in particular, and that it marries up well with all the other software in Adobe Creative Suite. “It replaced Apple as my editors’ choice a few years back,” notes one respondent. A production engineer comments: “Great cross app workflow, easy license management, works well with multi media codecs, frequent updates and takes advantage of new high-end PC hardware.”

Apple still has a sizeable presence in the market thanks to its legacy FCP as well as FCPX.

The survey also asked about the use of cloud-based editing/logging systems. Take up remains low, with 42% saying that hadn’t used a remote system and had no plans to. However, 34% plan to in the next 12 months. To date, Avid has the greatest use among our respondents.




More Chapters

 



Televisual Media UK Ltd 23 Golden Square, London, W1F 9JP
©2009 - 2017 Televisual. All rights reserved
Use of this website signifies your agreement to the Terms of Use | Disclaimer