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March 2018
£10.00


In the magazine
Only available in print
  • Genre report - Entertainment and comedy
    In a two-part special, Tim Dams reports on TV’s fresh focus on entertainment, and new directions in comedy
  • The art of cinematography
    Four leading DoPs tell Michael Burns the secrets of their craft, and explain the techniques they used to create hits like Jason Bourne, The King’s Speech, Lion and Sherlock
  • The Top Ten Cameras
    Televisual’s annual survey reveals the UK’s most hired cameras of the year and uncovers the models everyone will be shooting on in the year ahead
  • TV Studios
    The television studios sector is in flux, amid a spate of closures and re-developments. Pippa Considine reports on a changing studios landscape
  • Take it outside
    Major technical advances such as UHD, HDR and IP are driving big changes in the outside broadcast market. Michael Burns reports
  • And lots more
    This issue also features the Televisual Corporate 50, bright ideas for lighting, how post houses are dealing with the data bulge and pages showcasing the best creative work in UK post and vfx
From the magazine
Available to read online
  • Game On for C4 & Netflix drama
    Set in the world of computer gaming, C4 and Netflix’s Kiss Me First combines live action and impressive cg animation. Tim Dams reports
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Reports&
surveys

Production Technology Survey, 2017 Back to Reports & survey Listing

HDR is the new buzzword in production, lauded for the improvement in colour, light and detail it brings to pictures.

However, it looks like it will be a while before the format goes mainstream. Only 8% said they had been asked to deliver content in HDR, up slightly from 7% last year. Some 40% of our respondents have never even seen HDR images on a screen before.

Perhaps for that reason, there’s some scepticism about whether consumers are ready for another format like HDR. Those whose have seen it, though, are impressed. “It is the future,” says one respondent. Another was “very, very impressed by the contrast ratios and colour depth.”


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