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October 2017
£4.95


In the magazine
Only available in print
  • The Facilities 50
    Jon Creamer launches Televisual's 30th exclusive annual Facilities 50 survey featuring the top post production houses in the UK and 52 pages of analysis of the sector
  • Interview: Grant Mansfield
    Hiring top talent and investing heavily in development have been key to growing his Bristol indie Plimsoll Productions, says founder Grant Mansfield
  • The clear view: lenses
    What ever genre you work in, you need to be lens savvy. Here three DoPs guide us through the lens market, picking out the models they like to use in drama and factual
  • Over the top
    The growth of Netflix and Amazon is proving a boon for UK indies, but broadcasters are starting to panic. Tim Dams reports
From the magazine
Available to read online
  • Blue Planet II
    The producers of Blue Planet II tell Tim Dams how tech advances and military planning helped them capture the secrets of the deep
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Reports&
surveys

Production Technology Survey, 2017 Back to Reports & survey Listing

For the first time, more than half of our respondents said they have shot in 4K over the past year. However, the rise of 4K shooting is slow. Last year, 48% said they had shot in the format; this year it is only 51%.  A greater number (62%) think they will shoot in 4K over the next year.

The slow rate of take up in production is because very few broadcasters are yet broadcasting in 4K. Those who are shooting in 4K do so because they want to future proof their productions, or to achieve the best quality visuals possible for a high-end doc, drama, commercial or film. 4K also gives greater flexibility in the edit in terms of cropping, re-framing, grading and vfx.




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