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June 2019
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In the magazine
Only available in print
  • Televisual Bulldog Awards - the winners
    The votes have been counted and the results are in. See the winners of this year's Televisual Bulldog Awards
  • The Art of Noise
    Special 15 page report on audio post for movies, TV & commercials
  • Making the Cut
    Top editors behind Spectre, Inception, A Very English Scandal and Bros: After The Screaming Stops on sculpting the story
  • Live Action
    From concerts to cup finals: how broadcasters are using live events to stand out from the streamers
  • Machine Learning
    Televisual’s Technology Survey uncovers the industry’s favourite kit
  • Breathing Space
    Studios dash to make room for an influx of movies and drama
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Reports&
surveys

Production Technology Survey, 2017 Back to Reports & survey Listing

For the first time, more than half of our respondents said they have shot in 4K over the past year. However, the rise of 4K shooting is slow. Last year, 48% said they had shot in the format; this year it is only 51%.  A greater number (62%) think they will shoot in 4K over the next year.

The slow rate of take up in production is because very few broadcasters are yet broadcasting in 4K. Those who are shooting in 4K do so because they want to future proof their productions, or to achieve the best quality visuals possible for a high-end doc, drama, commercial or film. 4K also gives greater flexibility in the edit in terms of cropping, re-framing, grading and vfx.




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