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November 2018
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In the magazine
Only available in print
  • The Facilities 50
    Jon Creamer launches Televisual's 31st exclusive annual Facilities 50 survey featuring the top post production houses in the UK and 48 pages of analysis of the sector
  • The Commercials 30
    Jon Creamer introduces Televisual’s exclusive Commercial 30 survey, reporting on a year of highs and lows for commercials producers.
  • The Drama Genre Report
    With competition from streamers intensifying, UK broadcasters are exploring new drama strategies. Tim Dams reports
  • Primary Colours
    Five leading movie colourists tell Michael Burns the secrets of their craft, and explain the techniques they use to grade movies like The Danish Girl, Peterloo and Baby Driver
  • Up, up and away!
    Thanks to advances in camera technology, the possibilities of aerial filming are greater than ever before. Pippa Considine reports on some of the year’s standout aerial projects
  • OB: Which Way Now
    The OB industry is embracing major change as it adapts to the worlds of UHD, HDR and IP. Michael Burns reports
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Reports&
surveys

Production Technology Survey, 2017 Back to Reports & survey Listing

For the first time, more than half of our respondents said they have shot in 4K over the past year. However, the rise of 4K shooting is slow. Last year, 48% said they had shot in the format; this year it is only 51%.  A greater number (62%) think they will shoot in 4K over the next year.

The slow rate of take up in production is because very few broadcasters are yet broadcasting in 4K. Those who are shooting in 4K do so because they want to future proof their productions, or to achieve the best quality visuals possible for a high-end doc, drama, commercial or film. 4K also gives greater flexibility in the edit in terms of cropping, re-framing, grading and vfx.




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