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December 2017
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In the magazine
Only available in print
  • The Televisual Commercials 30
    Jon Creamer introduces Televisual's exclusive annual report, the Commercials 30, and finds that while budgets are down and production companies are under threat from agency in-house units, commercials producers are finding new horizons beyond ads too.
  • Commercials 30: Best in Show
    Commercials producers also get to vote for their favourite directors, stand out ads and top rated agencies along with their favourite post houses, editors and vfx ops. We reveal the results
  • Commercials 30: The Top 30
    Televisual reveals the Commercials 30 itself, the 30 top rated commercials production companies in the UK
  • Music in Motion
    So what’s next for the music behind the commercials? Will it be another year in the ascendant for London Grime perhaps? Portugese house? Afro beats or the Angolan kuduro sound?
  • Televisual Factual Festival report
    Last month saw Televisual's annual Factual Festival return to Bafta. How to stand out in a world of ever increasing viewer choice was the big theme this time. Tim Dams reports
  • Alison Kirkham in interview
    At the Televisual Factual Festival, the BBC's controller of factual Alison Kirkham outlined the shows the corporation is looking for in the year ahead
From the magazine
Available to read online
  • 2017: the year in review
    Two very different stories – the rise of SVOD players and the Harvey Weinstein abuse allegations – defined TV’s year. Tim Dams reports
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Reports&
surveys

Production Technology Survey, 2017 Back to Reports & survey Listing

It’s all change at the top of the camera market. As predicted in last year’s Production Technology Survey, the Sony FS7 has snatched pole position from long term holder, the Canon C300.

The FS7 was the most used camera by by 22% of respondents over the past year, climbing nine percentage points in total. The C300, meanwhile, has slipped back. It was the most used camera by 16% of respondents, down from 25% last year.

The Arri Alexa remains popular with programme makers in drama, film and commercials, with 9% saying it is their most used camera. Its younger sibling, the Arri Alexa Mini, makes its debut this year with a 6% score, bolstering Arri’s market share.

Looking ahead, the FS7 looks set to retain its crown in 2018, with 23% saying it is the camera they are most likely to use.



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