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March 2018
£10.00


In the magazine
Only available in print
  • Genre report - Entertainment and comedy
    In a two-part special, Tim Dams reports on TV’s fresh focus on entertainment, and new directions in comedy
  • The art of cinematography
    Four leading DoPs tell Michael Burns the secrets of their craft, and explain the techniques they used to create hits like Jason Bourne, The King’s Speech, Lion and Sherlock
  • The Top Ten Cameras
    Televisual’s annual survey reveals the UK’s most hired cameras of the year and uncovers the models everyone will be shooting on in the year ahead
  • TV Studios
    The television studios sector is in flux, amid a spate of closures and re-developments. Pippa Considine reports on a changing studios landscape
  • Take it outside
    Major technical advances such as UHD, HDR and IP are driving big changes in the outside broadcast market. Michael Burns reports
  • And lots more
    This issue also features the Televisual Corporate 50, bright ideas for lighting, how post houses are dealing with the data bulge and pages showcasing the best creative work in UK post and vfx
From the magazine
Available to read online
  • Game On for C4 & Netflix drama
    Set in the world of computer gaming, C4 and Netflix’s Kiss Me First combines live action and impressive cg animation. Tim Dams reports
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Reports&
surveys

Film 40 2017 Back to Reports & survey Listing

Televisual’s sixth annual survey of the UK film industry, the Film 40, comes at what seems to be a golden period for feature film production here, writes Tim Dams

Spend on feature production is at an all time high, according to the BFI, with a record £1.6bn spent in 2016. Crews and facilities are, arguably, busier than ever. However, most of the film production growth comes from big inward investment films: 48 features like Star Wars and Justice League accounted for £1.35bn of the £1.6bn total.

It’s getting harder, though, to finance the mid budget features that UK producers typically make. Spend on UK domestic films was down 8% to £206m. Spend on UK co-productions was also down.

Many producers have responded by pushing into the growth industry that is high end TV drama. Indeed, this is the biggest change in the Film 40 since it launched six years ago. All leading UK film producers – including 42, Blueprint, Big Talk, Heyday, Cuba, Number 9, Origin, Revolution, Scott Free and See-Saw and Working Title – have TV divisions making shows told with the production values of film.

How it works
The Film 40 is our annual guide to the behind the scenes talent and facilities of the UK’s film production industry. It kicks off with a round up of the top 40 film producers in the UK, and in subsequent pages we profile the UK’s leading DPs, studios and vfx houses.

The Film 40 survey of UK indie producers has been compiled with guidance and input from leading film producers, agents, financiers and PR consultants. But the choice of companies is Televisual’s alone.

The companies selected are those that have a track record of making films that attract box office, critical acclaim and/or awards. They are not just producers for hire – rather they are producers who look for and develop scripts, attach talent to projects, raise finance and risk their own money in films that they believe in.

Missing from the list are companies that are owned by broadcasters (like Film4 and BBC Films) as well as outfits that are predominantly distributors (StudioCanal, Lionsgate, Pathe, Altitude) or financiers (Ingenious, Hindsight).


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