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December 2017
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In the magazine
Only available in print
  • The Televisual Commercials 30
    Jon Creamer introduces Televisual's exclusive annual report, the Commercials 30, and finds that while budgets are down and production companies are under threat from agency in-house units, commercials producers are finding new horizons beyond ads too.
  • Commercials 30: Best in Show
    Commercials producers also get to vote for their favourite directors, stand out ads and top rated agencies along with their favourite post houses, editors and vfx ops. We reveal the results
  • Commercials 30: The Top 30
    Televisual reveals the Commercials 30 itself, the 30 top rated commercials production companies in the UK
  • Music in Motion
    So what’s next for the music behind the commercials? Will it be another year in the ascendant for London Grime perhaps? Portugese house? Afro beats or the Angolan kuduro sound?
  • Televisual Factual Festival report
    Last month saw Televisual's annual Factual Festival return to Bafta. How to stand out in a world of ever increasing viewer choice was the big theme this time. Tim Dams reports
  • Alison Kirkham in interview
    At the Televisual Factual Festival, the BBC's controller of factual Alison Kirkham outlined the shows the corporation is looking for in the year ahead
From the magazine
Available to read online
  • 2017: the year in review
    Two very different stories – the rise of SVOD players and the Harvey Weinstein abuse allegations – defined TV’s year. Tim Dams reports
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Reports&
surveys

Corporate 50 2017 Back to Reports & survey Listing

01 casual films

Casual shared the top spot last time but gets it all to itself this year and that’s “because they consistently make good shit. Oh and they have a nice office,” as one fan puts it. Others describe Casual as “brilliant filmmakers” and “dedicated, hardworking, nice people.” Others still admire its “great mix of work and clients” and “great approachable brand and excellent work.”

02 the edge

Voters pick out The Edge for “producing some of the best looking corporate work ever” and for its ability to “stretch across a range of sectors and skills” and simply because “they are just good at what they do.”

03 scorch films

Scorch Films is lauded for being “forward thinking and disruptive” and also for concentrating on its own brand: “The way in which they promote themselves, from a stylish and impressive website to a cutting edge showreel, is something to learn from and respect.”

04= jack morton

Jack Morton secures equal fourth place in the affections of its peers on the basis of its own sheer “size” and “the scale of the productions” it produces as well as for having “such a well-established brand.”

04= lonely leap
It’s Lonely Leap’s “beautifully shot human documentary” that gets it fourth spot in the poll as well as its “stonking style, crafted cutting and sound sound design.”

04= merchant cantos

Also in fourth is Merchant Cantos, winning admirers for its “client list and deep knowledge of the corporate sector” and its “increasingly streamlined operation and integration” along with its “professional, slick business approach.”

07= buddy films

Buddy Films makes the leap into the Peer Poll top ten this time for, among other things, its “simple, clear creative.”

07= pukka films
Joint seventh for Pukka on the back of its “originality” and for being “back on form delivering great work.”

09= armoury films, contra, Giggle Group, media zoo, quite frankly, wing

Equal ninth for all of the above companies this time.

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