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July 2018
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In the magazine
Only available in print
  • Live and direct
    From concerts to cup finals and ceremonial occasions, live events are increasingly important to broadcasters. Tim Dams reports
  • Cutting comments
    In advance of EditFest London 2018, four editors from the worlds of live action and animation who’ve shaped films from Top Gun to Wonderwoman 
to Sweeney Todd, tell Jon Creamer what it takes to create the perfect cut
  • All the World's a stage
    …And nowhere more than the UK, where studios are coping with an unprecedented demand for studio space from TV and film productions. Pippa Considine reports
  • Let's get high
    From the shoot to final delivery, Michael Burns discovers the best route to HDR
  • Tools of the trade
    Televisual’s annual Production Technology Survey reveals the kit that producers are using to make their content – and what they think of it. Jon Creamer reports
  • Get some focus
    Major changes in the camera market have 
made lens choice more important than 
ever. Phil Rhodes runs through some of 
the best options for programme makers
From the magazine
Available to read online
  • The art of the edit
    In advance of EditFest London 2018, four editors from the worlds of live action and animation tell Jon Creamer what it takes to create the perfect cut
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Reports&
surveys

Production 100, 2016 Back to Reports & survey Listing

Welcome to the Production 100 2016, Televisual’s 24th annual survey of the independent TV production sector.

The top flight of indies is dominated by drama producers this year, who have been buoyed by the rise in demand for big budget scripted content. This has helped push up the combined turnover of the top 100 indies from £1.77bn to £1.94bn.

The high profile indie takeovers that have driven consolidation in the sector over the past decade have slowed this year. Rather, big production groups are now funding ambitious start ups. A flurry of new indies have launched in the past 12 months, many seeking riches in the drama world. Little wonder that many producers say the TV business is getting ever more competitive.

How it works

Every year, we send survey forms to TV production companies and ask a series of questions. The facts provided, which relate to the period July 2015-June 2016, form the basis of the Production 100. The top 100 are ranked according to the turnover of their UK operations.

Tim Dams
Editor


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