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March 2018
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In the magazine
Only available in print
  • Genre report - Entertainment and comedy
    In a two-part special, Tim Dams reports on TV’s fresh focus on entertainment, and new directions in comedy
  • The art of cinematography
    Four leading DoPs tell Michael Burns the secrets of their craft, and explain the techniques they used to create hits like Jason Bourne, The King’s Speech, Lion and Sherlock
  • The Top Ten Cameras
    Televisual’s annual survey reveals the UK’s most hired cameras of the year and uncovers the models everyone will be shooting on in the year ahead
  • TV Studios
    The television studios sector is in flux, amid a spate of closures and re-developments. Pippa Considine reports on a changing studios landscape
  • Take it outside
    Major technical advances such as UHD, HDR and IP are driving big changes in the outside broadcast market. Michael Burns reports
  • And lots more
    This issue also features the Televisual Corporate 50, bright ideas for lighting, how post houses are dealing with the data bulge and pages showcasing the best creative work in UK post and vfx
From the magazine
Available to read online
  • Game On for C4 & Netflix drama
    Set in the world of computer gaming, C4 and Netflix’s Kiss Me First combines live action and impressive cg animation. Tim Dams reports
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Reports&
surveys

Production 100, 2016 Back to Reports & survey Listing

Welcome to the Production 100 2016, Televisual’s 24th annual survey of the independent TV production sector.

The top flight of indies is dominated by drama producers this year, who have been buoyed by the rise in demand for big budget scripted content. This has helped push up the combined turnover of the top 100 indies from £1.77bn to £1.94bn.

The high profile indie takeovers that have driven consolidation in the sector over the past decade have slowed this year. Rather, big production groups are now funding ambitious start ups. A flurry of new indies have launched in the past 12 months, many seeking riches in the drama world. Little wonder that many producers say the TV business is getting ever more competitive.

How it works

Every year, we send survey forms to TV production companies and ask a series of questions. The facts provided, which relate to the period July 2015-June 2016, form the basis of the Production 100. The top 100 are ranked according to the turnover of their UK operations.

Tim Dams
Editor


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