Subscribe Online  

December 2017

In the magazine
Only available in print
  • The Televisual Commercials 30
    Jon Creamer introduces Televisual's exclusive annual report, the Commercials 30, and finds that while budgets are down and production companies are under threat from agency in-house units, commercials producers are finding new horizons beyond ads too.
  • Commercials 30: Best in Show
    Commercials producers also get to vote for their favourite directors, stand out ads and top rated agencies along with their favourite post houses, editors and vfx ops. We reveal the results
  • Commercials 30: The Top 30
    Televisual reveals the Commercials 30 itself, the 30 top rated commercials production companies in the UK
  • Music in Motion
    So what’s next for the music behind the commercials? Will it be another year in the ascendant for London Grime perhaps? Portugese house? Afro beats or the Angolan kuduro sound?
  • Televisual Factual Festival report
    Last month saw Televisual's annual Factual Festival return to Bafta. How to stand out in a world of ever increasing viewer choice was the big theme this time. Tim Dams reports
  • Alison Kirkham in interview
    At the Televisual Factual Festival, the BBC's controller of factual Alison Kirkham outlined the shows the corporation is looking for in the year ahead
From the magazine
Available to read online
  • 2017: the year in review
    Two very different stories – the rise of SVOD players and the Harvey Weinstein abuse allegations – defined TV’s year. Tim Dams reports
Read >>


Facilities 50 2009 Back to Reports & survey Listing

Challenges and Opportunities


Reduction in rates
Almost every post house singles out budget cuts as a major challenge. Bravo is frustrated by “clients using the recession to push down the rates”. Unit singles out “diminishing budgets that are unfairly passed onto the post house”, and Doghouse says its biggest challenge is “unrealistic budgets and unrealistic timeframes”.

Another key bugbear is “facilities ‘giving it away’ for free and cheapifying the industry,” says Envy. Dubbs/ eyeframe says “fierce competition from competitors” is resulting in a “price war”. Finish says “undercutting is devaluing the industry”. The Look says it’s mainly “large post companies” that are “doing ridiculous deals”.

Inhouse facilities
10th planet is one of many worried by the “continuing trend of clients bringing services in house”. Big Buoy and Sequence Post are amongst the others to say the key challenge is “production companies taking post inhouse”.


New technology
Stereo 3d presents new opportunities, say a growing number of facilities, including Brighton TV, Lipsync and Tide. More generally, “changes in technology can create new business opportunities,” says Platform Post.  3sixtymedia says, “New technology is shrinking the distance between us and our clients”.

Competitors going bust
The “smaller facility pool” and “companies going under” means more potential business for those that remain, point out Rapid Pictures, IBF/storm HD, Sequence, The Look, 10th Planet, Bubble TV and Technicolor.

Work outside of London
“The continuing movement out of London” is good news for Welsh facility Barcud Derwen. And for Bristol’s Films@59, which says the “Ofcom Nations remit means more production companies moving into the region”. There are opportunties in “offering a luxurious, spacious setting out of London with out of London rates,” says VPTV.

More Chapters


Televisual Media UK Ltd 23 Golden Square, London, W1F 9JP
©2009 - 2017 Televisual. All rights reserved
Use of this website signifies your agreement to the Terms of Use | Disclaimer