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November 2018

In the magazine
Only available in print
  • The Facilities 50
    Jon Creamer launches Televisual's 31st exclusive annual Facilities 50 survey featuring the top post production houses in the UK and 48 pages of analysis of the sector
  • The Commercials 30
    Jon Creamer introduces Televisual’s exclusive Commercial 30 survey, reporting on a year of highs and lows for commercials producers.
  • The Drama Genre Report
    With competition from streamers intensifying, UK broadcasters are exploring new drama strategies. Tim Dams reports
  • Primary Colours
    Five leading movie colourists tell Michael Burns the secrets of their craft, and explain the techniques they use to grade movies like The Danish Girl, Peterloo and Baby Driver
  • Up, up and away!
    Thanks to advances in camera technology, the possibilities of aerial filming are greater than ever before. Pippa Considine reports on some of the year’s standout aerial projects
  • OB: Which Way Now
    The OB industry is embracing major change as it adapts to the worlds of UHD, HDR and IP. Michael Burns reports
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Corporate 50 2016 Back to Reports & survey Listing

Each year, we ask respondents to the survey to nominate the rival companies they admire the most. Here are the  most voted for corporates

01= Casual Films

Casual Films moves into joint first for its “soul and purpose” and “commitment to sustainability” as well its “warm, engaging work.”  Others say Casual “represents what’s positive about the corporate sector.”

01= The Edge
The Edge continues its long run at the top of the peer poll. It picks up votes for “producing some of the best looking corporate work ever” as well as “consistency and longevity” and also simply for “for the amount of awards they win.”

03= Lonely Leap
“Always producing interesting, original new work” say Lonely Leap’s voters.

03= Scorch London

Described as “relentlessly creative” by one voter. Others point to Scorch’s “impressive breadth of services, great clients” and for bringing “strong creative concepts to their films along with high production values.”

05 Jack Morton

Admired for its “scale, creativity and ambition” as well as its ability to “deliver fresh stuff” and just for being “always up there.”

06= Armoury Films
Many voters pick out Armoury Films’ “high quality” output and admire “the high production standards and creativity they apply to all their work.”

06= Merchant Cantos
“Solid, business like, sharp” is one voter’s take on Merchant Cantos. Others point to its “steady, good quality” and ability to “consistently deliver to a high standard.”

08 Pukka Films
“Inspiring” is how many fellow corporates describe Pukka. “They managed to do what a number of production companies have dreamed about doing and produced a well-received feature film while keeping the business afloat.”

09= Big Button
Big Button is admired for its “really strong corporate focus” as well as for creating “interesting social productions.”

09= DRP
“They provide a one stop service for clients at low pricing” says one voter. Others say DRP is “set up so well.”

09= Imagination

Imagination’s fans say “they’ve set the benchmark.”

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