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July 2018
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In the magazine
Only available in print
  • Live and direct
    From concerts to cup finals and ceremonial occasions, live events are increasingly important to broadcasters. Tim Dams reports
  • Cutting comments
    In advance of EditFest London 2018, four editors from the worlds of live action and animation who’ve shaped films from Top Gun to Wonderwoman 
to Sweeney Todd, tell Jon Creamer what it takes to create the perfect cut
  • All the World's a stage
    …And nowhere more than the UK, where studios are coping with an unprecedented demand for studio space from TV and film productions. Pippa Considine reports
  • Let's get high
    From the shoot to final delivery, Michael Burns discovers the best route to HDR
  • Tools of the trade
    Televisual’s annual Production Technology Survey reveals the kit that producers are using to make their content – and what they think of it. Jon Creamer reports
  • Get some focus
    Major changes in the camera market have 
made lens choice more important than 
ever. Phil Rhodes runs through some of 
the best options for programme makers
From the magazine
Available to read online
  • The art of the edit
    In advance of EditFest London 2018, four editors from the worlds of live action and animation tell Jon Creamer what it takes to create the perfect cut
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Reports&
surveys

Corporate 50 2016 Back to Reports & survey Listing

Each year, we ask respondents to the survey to nominate the rival companies they admire the most. Here are the  most voted for corporates

01= Casual Films

Casual Films moves into joint first for its “soul and purpose” and “commitment to sustainability” as well its “warm, engaging work.”  Others say Casual “represents what’s positive about the corporate sector.”

01= The Edge
The Edge continues its long run at the top of the peer poll. It picks up votes for “producing some of the best looking corporate work ever” as well as “consistency and longevity” and also simply for “for the amount of awards they win.”

03= Lonely Leap
“Always producing interesting, original new work” say Lonely Leap’s voters.

03= Scorch London

Described as “relentlessly creative” by one voter. Others point to Scorch’s “impressive breadth of services, great clients” and for bringing “strong creative concepts to their films along with high production values.”

05 Jack Morton

Admired for its “scale, creativity and ambition” as well as its ability to “deliver fresh stuff” and just for being “always up there.”

06= Armoury Films
Many voters pick out Armoury Films’ “high quality” output and admire “the high production standards and creativity they apply to all their work.”

06= Merchant Cantos
“Solid, business like, sharp” is one voter’s take on Merchant Cantos. Others point to its “steady, good quality” and ability to “consistently deliver to a high standard.”

08 Pukka Films
“Inspiring” is how many fellow corporates describe Pukka. “They managed to do what a number of production companies have dreamed about doing and produced a well-received feature film while keeping the business afloat.”

09= Big Button
Big Button is admired for its “really strong corporate focus” as well as for creating “interesting social productions.”

09= DRP
“They provide a one stop service for clients at low pricing” says one voter. Others say DRP is “set up so well.”

09= Imagination

Imagination’s fans say “they’ve set the benchmark.”

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