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December 2017
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In the magazine
Only available in print
  • The Televisual Commercials 30
    Jon Creamer introduces Televisual's exclusive annual report, the Commercials 30, and finds that while budgets are down and production companies are under threat from agency in-house units, commercials producers are finding new horizons beyond ads too.
  • Commercials 30: Best in Show
    Commercials producers also get to vote for their favourite directors, stand out ads and top rated agencies along with their favourite post houses, editors and vfx ops. We reveal the results
  • Commercials 30: The Top 30
    Televisual reveals the Commercials 30 itself, the 30 top rated commercials production companies in the UK
  • Music in Motion
    So what’s next for the music behind the commercials? Will it be another year in the ascendant for London Grime perhaps? Portugese house? Afro beats or the Angolan kuduro sound?
  • Televisual Factual Festival report
    Last month saw Televisual's annual Factual Festival return to Bafta. How to stand out in a world of ever increasing viewer choice was the big theme this time. Tim Dams reports
  • Alison Kirkham in interview
    At the Televisual Factual Festival, the BBC's controller of factual Alison Kirkham outlined the shows the corporation is looking for in the year ahead
From the magazine
Available to read online
  • 2017: the year in review
    Two very different stories – the rise of SVOD players and the Harvey Weinstein abuse allegations – defined TV’s year. Tim Dams reports
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Reports&
surveys

Corporate 50 2016 Back to Reports & survey Listing

Each year, we ask respondents to the survey to nominate the rival companies they admire the most. Here are the  most voted for corporates

01= Casual Films

Casual Films moves into joint first for its “soul and purpose” and “commitment to sustainability” as well its “warm, engaging work.”  Others say Casual “represents what’s positive about the corporate sector.”

01= The Edge
The Edge continues its long run at the top of the peer poll. It picks up votes for “producing some of the best looking corporate work ever” as well as “consistency and longevity” and also simply for “for the amount of awards they win.”

03= Lonely Leap
“Always producing interesting, original new work” say Lonely Leap’s voters.

03= Scorch London

Described as “relentlessly creative” by one voter. Others point to Scorch’s “impressive breadth of services, great clients” and for bringing “strong creative concepts to their films along with high production values.”

05 Jack Morton

Admired for its “scale, creativity and ambition” as well as its ability to “deliver fresh stuff” and just for being “always up there.”

06= Armoury Films
Many voters pick out Armoury Films’ “high quality” output and admire “the high production standards and creativity they apply to all their work.”

06= Merchant Cantos
“Solid, business like, sharp” is one voter’s take on Merchant Cantos. Others point to its “steady, good quality” and ability to “consistently deliver to a high standard.”

08 Pukka Films
“Inspiring” is how many fellow corporates describe Pukka. “They managed to do what a number of production companies have dreamed about doing and produced a well-received feature film while keeping the business afloat.”

09= Big Button
Big Button is admired for its “really strong corporate focus” as well as for creating “interesting social productions.”

09= DRP
“They provide a one stop service for clients at low pricing” says one voter. Others say DRP is “set up so well.”

09= Imagination

Imagination’s fans say “they’ve set the benchmark.”

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