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March 2018
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In the magazine
Only available in print
  • Genre report - Entertainment and comedy
    In a two-part special, Tim Dams reports on TV’s fresh focus on entertainment, and new directions in comedy
  • The art of cinematography
    Four leading DoPs tell Michael Burns the secrets of their craft, and explain the techniques they used to create hits like Jason Bourne, The King’s Speech, Lion and Sherlock
  • The Top Ten Cameras
    Televisual’s annual survey reveals the UK’s most hired cameras of the year and uncovers the models everyone will be shooting on in the year ahead
  • TV Studios
    The television studios sector is in flux, amid a spate of closures and re-developments. Pippa Considine reports on a changing studios landscape
  • Take it outside
    Major technical advances such as UHD, HDR and IP are driving big changes in the outside broadcast market. Michael Burns reports
  • And lots more
    This issue also features the Televisual Corporate 50, bright ideas for lighting, how post houses are dealing with the data bulge and pages showcasing the best creative work in UK post and vfx
From the magazine
Available to read online
  • Game On for C4 & Netflix drama
    Set in the world of computer gaming, C4 and Netflix’s Kiss Me First combines live action and impressive cg animation. Tim Dams reports
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Reports&
surveys

Corporate 50 2016 Back to Reports & survey Listing

Each year, we ask respondents to the survey to nominate the rival companies they admire the most. Here are the  most voted for corporates

01= Casual Films

Casual Films moves into joint first for its “soul and purpose” and “commitment to sustainability” as well its “warm, engaging work.”  Others say Casual “represents what’s positive about the corporate sector.”

01= The Edge
The Edge continues its long run at the top of the peer poll. It picks up votes for “producing some of the best looking corporate work ever” as well as “consistency and longevity” and also simply for “for the amount of awards they win.”

03= Lonely Leap
“Always producing interesting, original new work” say Lonely Leap’s voters.

03= Scorch London

Described as “relentlessly creative” by one voter. Others point to Scorch’s “impressive breadth of services, great clients” and for bringing “strong creative concepts to their films along with high production values.”

05 Jack Morton

Admired for its “scale, creativity and ambition” as well as its ability to “deliver fresh stuff” and just for being “always up there.”

06= Armoury Films
Many voters pick out Armoury Films’ “high quality” output and admire “the high production standards and creativity they apply to all their work.”

06= Merchant Cantos
“Solid, business like, sharp” is one voter’s take on Merchant Cantos. Others point to its “steady, good quality” and ability to “consistently deliver to a high standard.”

08 Pukka Films
“Inspiring” is how many fellow corporates describe Pukka. “They managed to do what a number of production companies have dreamed about doing and produced a well-received feature film while keeping the business afloat.”

09= Big Button
Big Button is admired for its “really strong corporate focus” as well as for creating “interesting social productions.”

09= DRP
“They provide a one stop service for clients at low pricing” says one voter. Others say DRP is “set up so well.”

09= Imagination

Imagination’s fans say “they’ve set the benchmark.”

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