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November 2018

In the magazine
Only available in print
  • The Facilities 50
    Jon Creamer launches Televisual's 31st exclusive annual Facilities 50 survey featuring the top post production houses in the UK and 48 pages of analysis of the sector
  • The Commercials 30
    Jon Creamer introduces Televisual’s exclusive Commercial 30 survey, reporting on a year of highs and lows for commercials producers.
  • The Drama Genre Report
    With competition from streamers intensifying, UK broadcasters are exploring new drama strategies. Tim Dams reports
  • Primary Colours
    Five leading movie colourists tell Michael Burns the secrets of their craft, and explain the techniques they use to grade movies like The Danish Girl, Peterloo and Baby Driver
  • Up, up and away!
    Thanks to advances in camera technology, the possibilities of aerial filming are greater than ever before. Pippa Considine reports on some of the year’s standout aerial projects
  • OB: Which Way Now
    The OB industry is embracing major change as it adapts to the worlds of UHD, HDR and IP. Michael Burns reports
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Corporate 50 2016 Back to Reports & survey Listing

1 MerchantCantos
2 Jack Morton
3 The Edge
5 Casual Films
6 Psona Films
7 Radley Yeldar
8 Scorch London
9 The Moment
10 Media Zoo
10 Plastic Pictures
12 Tangerine Films
13 Quite Frankly
14 Sequel/Take 3
15 Wilder Films
16 Juice
16 Pretzel Films
18 Vista
19 Cheerful Twentyfirst
20 Blueprint Partners
21 World Television
22 Straker Films
23 Speakeasy
24 Top Banana
25 Belong
26 Instinctif Partners
26 Somersault
28 Giggle Group
29 Big Button
30 Armoury Films
31 Sandstorm
32 ITN Productions
33 Myriad Global Media
33 New Moon
33 Pukka Films
36 H3 Productions
37 Centre Screen
38 Aspect
39 Brickwall
39 Proudfoot
41 RD Content
42 Buddy Films
43 Liquid Productions
44 A-Vision
45 Mills Media
46 ID2 Media
47 BMS
48 Eon Visual Media
49 Tailwind Productions
50 Lipfriend Rodd

How the survey works

For a place in the top 50, companies are ranked across criteria including a company’s size – turnover as well as permanent staff numbers – and its reputation among its peers and its haul of medals at the 2015 Evcom Awards, Clarions, NY Festivals International Film and Video and Cannes Corporate Media and TV Awards.

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