Subscribe Online  

March 2018

In the magazine
Only available in print
  • Genre report - Entertainment and comedy
    In a two-part special, Tim Dams reports on TV’s fresh focus on entertainment, and new directions in comedy
  • The art of cinematography
    Four leading DoPs tell Michael Burns the secrets of their craft, and explain the techniques they used to create hits like Jason Bourne, The King’s Speech, Lion and Sherlock
  • The Top Ten Cameras
    Televisual’s annual survey reveals the UK’s most hired cameras of the year and uncovers the models everyone will be shooting on in the year ahead
  • TV Studios
    The television studios sector is in flux, amid a spate of closures and re-developments. Pippa Considine reports on a changing studios landscape
  • Take it outside
    Major technical advances such as UHD, HDR and IP are driving big changes in the outside broadcast market. Michael Burns reports
  • And lots more
    This issue also features the Televisual Corporate 50, bright ideas for lighting, how post houses are dealing with the data bulge and pages showcasing the best creative work in UK post and vfx
From the magazine
Available to read online
  • Game On for C4 & Netflix drama
    Set in the world of computer gaming, C4 and Netflix’s Kiss Me First combines live action and impressive cg animation. Tim Dams reports
Read >>


Commercials 30 2015 Back to Reports & survey Listing

=21 Independent
20 Eastcastle St, London W1W 8DB
t 020 7927 9400 md Jani Guest 
head of creative dev/ep Rupert Reynolds MacLean
credits Lift by Gary Freedman (Glue Society) for Grey London/HSBC; Christmas Fairies by Philippe Andre for RKCR/Y&R/M&S

=21 Nexus 25 Chart Street, London, N1 6FA 
t 020 7749 7500 co founder/ECD Chris O’Reilly co founder Charlotte Bavasso md James Tomkinson credits The Outsider by Smith & Foulkes for C4 Creative/The Crabbie’s Grand National; The Seed and the Moon by Kibwe Tavares for CAA/Umpqua Bank

23 Gorgeous
11 Portland Mews,
London, W1F 8JL 
t 020 7287 4060
Ep Rupert Smythe
ep Maddi Carlton credits Endless Road by Chris Palmer for McGarry Bowen/Honda; Balloons by Patrick Daughters for Mother/Stella

24 HLA  35 Adam and Eve 
Mews, London W8 6UG
t 020 7299 1000 managing partner Mike Wells producer Helen Langridge producer Tim Daukes credits Own Your Weekend by Simon Ratigan for BBH London/Guardian Newspaper; Wimbledon – Under the Umpire’s Chair by Justin Stokes for BBH london/Robinson’s
Some great spots from HLA this year with top ten director Simon Ratigan’s Guardian and Waitrose work (he’s won the Waitrose Christmas ad too). Outside of ads, the company is making feature documentaries and online campaigns as well as branded content and art installations.

25 Love
2 Prince’s St, Mayfair, London W1B 2LB t 020 7636 6648 
Md Philip Dupee ep Finn James head of new business Matt Francis credits Durex Explore by Misko Iho for Havas Worldwide/Reckitt Benckiser; Killer Heels by Zack Gold for MOMA Brooklyn Museum NYC
Love says “to be still going strong after 12 years in the business,” is highlight enough. It says it’s grown the business, especially the content side. “We’ve been shooting content for five years now and we have resourced the correct creative talent to deliver this to our blue chip client and agency connections.”

26 2AM Films National House, 60-66 Wardour Street, London, W1F 0TA t 020 7292 9600 md/ep Nick Crabb ep Olivia Hirschberg credits There’s A Beer For That by Michael Winterbottom for Sapient Nitro/Britain’s Beer Alliance; Vai, Paparrazo by Wim Wenders for Publicis 133 Paris/ Persol
The advertising home of Michael Winterbottom, 2AM says that “signing director Steve Cope and re-signing director Niall Downing,” were both big moments this year.

27 Caviar
11 Gower St, London, 
WC1E 6HD t 020 3219 7960
managing ep Sorcha Shepherd managing ep Nicola Kenney
credits Welcome to the Future of Play by Ruben Fleischer for 180 Amsterdam/ PS4; Boyhood by Keith Scholfield for AMV/Braun
Caviar says the year’s been “busy” and high points include winning two Cannes Grand Prix for Volvo Life Paint and Karim Huu Do being shortlisted for Shots’ Best New Director.

28 Tomboy Westbourne Studios, 242 Acklam Road, London, W10 5JJ t 020 8962 3456 joint md Glynis Murray joint md Barnaby Spurrier producer Benedict Murray credits It’s Never Okay by Al Mackay for M&C Saatchi/TFL; Kenneth Branagh Theatre Company by Ben Caron for Kenneth Branagh

29 Dark Energy
3rd Floor, 15 Little Portland Street, London W1W 8BW
t 07976 257 431
executive producer Matt Brown 
credits Cristiano Ronaldo Legacy by Sean Thompson for Cake/Eden Perfumes; Life Skills by David Stoddart for BBH/Barclays

=30 The Sweet Shop 13 Tottenham Mews, London, W1T 4AQ t 020 7636 1449 md London Spencer Dodd head of prod Justin Edmund White sales & marketing Morgan Whitlock credits To The Stars by Mark Albiston for Rainey Kelly/Lloyds; The Taste Of Black by John S Park for Iris London/Guinness

=30 Th1ng
199 Wardour Street,
London, W1F 8JP t 020 7439 7966
ceo Dominic Buttimore ep th2ng Hannah Cooper ep Film Club Sue Loughlin credits Stromae Carmen by Sylvain Chomet for Stromae; Origami Skater by The Queen/Anthony FS/Will Barras for Viral Factory/Samsung

More Chapters

Televisual Media UK Ltd 23 Golden Square, London, W1F 9JP
©2009 - 2017 Televisual. All rights reserved
Use of this website signifies your agreement to the Terms of Use | Disclaimer