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July 2018

In the magazine
Only available in print
  • Live and direct
    From concerts to cup finals and ceremonial occasions, live events are increasingly important to broadcasters. Tim Dams reports
  • Cutting comments
    In advance of EditFest London 2018, four editors from the worlds of live action and animation who’ve shaped films from Top Gun to Wonderwoman 
to Sweeney Todd, tell Jon Creamer what it takes to create the perfect cut
  • All the World's a stage
    …And nowhere more than the UK, where studios are coping with an unprecedented demand for studio space from TV and film productions. Pippa Considine reports
  • Let's get high
    From the shoot to final delivery, Michael Burns discovers the best route to HDR
  • Tools of the trade
    Televisual’s annual Production Technology Survey reveals the kit that producers are using to make their content – and what they think of it. Jon Creamer reports
  • Get some focus
    Major changes in the camera market have 
made lens choice more important than 
ever. Phil Rhodes runs through some of 
the best options for programme makers
From the magazine
Available to read online
  • The art of the edit
    In advance of EditFest London 2018, four editors from the worlds of live action and animation tell Jon Creamer what it takes to create the perfect cut
Read >>


Commercials 30 2015 Back to Reports & survey Listing

11 Great Guns 43-45 Camden Road, London, NW1 9LR t 020 7692 4444 Ceo/founder Laura Gregory global ep Sheridan Thomas ep Kate Phillips credits Pampers Pooface by Olly Blackburn for Saatchi & Saatchi/P&G; Age Perfect by Olivier Venturini for McCann/L’Oreal

12 Fat Lemon
17 Willow St, London, EC2A 4BH
t 020 3375 5800 md/ep Jane Bolton ep Cabell Hopkins new business Rudy Downey credits Laphroaig by Mike Matthews for White Label/Laphroaig; Asda Fresh by Mike Matthews for VCCP/Asda

13 Stink 5-23 Old St, London, EC1V 9HL t 020 7462 4000 md Daniel Bergmann ep/md Blake Powell credits 100 by Jones+Tino for Saatchi & Saatchi Del Campo/Leica; We Are Greater Than I by Eliot Rausch for 72 & Sunny Amsterdam/Samsung

14 Passion 33-34 Rathbone Place, London, W1T 1JN 
t 020 7323 9933 ceo Andrew Ruhemann ep Ryan Goodwin Smith ep Debbie Crosscup credits Perfect Picnic by Kyra and Constantin for Creature/Anchor; Become and Avios Master by Tendril for BBH/BA

15 Park Pictures 5 Old Nichol St, London, E2 7HR t 020 3327 3040 ep/md Stephen Brierley founder/ep Jackie Kelman Bisbee founder/director Lance Acord credits Family et al by Terri Timely for Martin Agency/Geico Insurance; Flow by Nathan Price for Grey/Lucozade

16 Riff Raff
1 Great Titchfield St, London, W1W 8AU t 07971 224 679 md Matthew Fone sales Barney Richard music video Natalie Arnett credits Finish by Megaforce for W&K/Reckitt Benckiser; Angry Birds 2 by Francois Rousselet for W&K/Rovio

17 Agile 68-72 Redchurch St, London, E2 7DP t 020 7000 2882 Founder/ep Myles Payne md David Staniland commercials Andy Eaton credits Love the Coast by Thomas Bryant for 18 Feet and Rising/National Trust; Veterans for Peace by Price James for Veterans for Peace

18 Partizan 40-42 Lexington St, W1F 0LN t 020 7851 0200 
md Madeleine Sanderson 
head of content Jenny Beckett
head of sales Danielle Coles 
credits The Anatomy of a Split Second by Martin Stirling for Irish International BBDO/Road Safety Authority; The Cube by Antoine Bardou-Jacquet for BETC-Paris/Canal+
High points for Partizan included  “new signings Dexter Navy and Martin Stirling  getting recognised worldwide” as well as Martin Stirling winning two Silver Lions in Cannes and a D&AD white pencil for his GreenPeace ad. Anthony Wonke’s Partizan produced doc Being AP was a big moment too.

19 Mustard 
Angel House, Angel Mews London N1 9HH t 020 7267 5000 
managing partners John Doris, Matt Hichens credits 50 Years Anniversary by Ben Liam Jones for BBH/KFC; Kickabout by James Brown for 72 & Sunny/Carlsberg
Mustard says it’s been growing its feature film arm (Mustard and MTP’s first feature Hector opens in December) and its content company, Mustard Relish and is “diversifying with a creative development department. We are working with agencies and new clients from around the world who are coming to Mustard directly for creative solutions.”

20 Picasso
9-11 Broadwick Street, London,
W1F 0DB t 020 7437 9888
md/ep Rich Price ep Sam Hope
ep Inga Johnson credits Holland & Barrett by Jens & Anna for RKCR/Y&R/Holland & Barrett; James, All I’m Saying by Peter Vacz for Universal Music/James

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