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March 2018
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In the magazine
Only available in print
  • Genre report - Entertainment and comedy
    In a two-part special, Tim Dams reports on TV’s fresh focus on entertainment, and new directions in comedy
  • The art of cinematography
    Four leading DoPs tell Michael Burns the secrets of their craft, and explain the techniques they used to create hits like Jason Bourne, The King’s Speech, Lion and Sherlock
  • The Top Ten Cameras
    Televisual’s annual survey reveals the UK’s most hired cameras of the year and uncovers the models everyone will be shooting on in the year ahead
  • TV Studios
    The television studios sector is in flux, amid a spate of closures and re-developments. Pippa Considine reports on a changing studios landscape
  • Take it outside
    Major technical advances such as UHD, HDR and IP are driving big changes in the outside broadcast market. Michael Burns reports
  • And lots more
    This issue also features the Televisual Corporate 50, bright ideas for lighting, how post houses are dealing with the data bulge and pages showcasing the best creative work in UK post and vfx
From the magazine
Available to read online
  • Game On for C4 & Netflix drama
    Set in the world of computer gaming, C4 and Netflix’s Kiss Me First combines live action and impressive cg animation. Tim Dams reports
Read >>

Reports&
surveys

Facilities 50 2015 Back to Reports & survey Listing

11
Halo

halopost.tv
25 Noel Street; 75-77 Margaret Street; 179 Wardour Street; 5A Noel Street; 47 Berners St plus Halo/BBC Facilities 41 Berners St
Ceo John Rogerson Head of prod Will Garbutt
Genres TV, film, corporate, promos, ads
Credits Paddington, Shaun the Sheep, The Missing, The C-Word, Mrs Brown’s Boys
Services audio (5.1, Foley, ADR), grading (4k), vfx (2d, 3d, animation) editing, film restoration
Turnover £6.5m
Producer 7th Turnover 19th= Peer 10th=

12
Glassworks

glassworks.co.uk
33-34 Gt Pulteney Street, 
London, W1F 9NP 
t 020 7434 1182
Coo Phil Linturn Facility Manager Paul Schleicher
Genres ads, film, corporate, promos
Credits Lycra Moves You, Dulux Human Dome Painter, Honda Endless Road, Nike Last Game, Freeview Pay Per Laugh
Services audio (Foley, ADR) grading (2k), vfx (2d, 3d, animation), editing, telecine (2k)
Turnover £9.5m
Producer 14th=
Turnover 14th Peer 9th


13
Films@59

filmsat59.com 59 Cotham Hill, Clifton, Bristol, BS6 6JR 
Md Gina Fucci Business development director George Panayiotou
Genres TV, film
Credits Atlantic, Life in Squares, Great British Bake Off (Series 5)
Services audio (5.1, Foley, ADR), grading (4k), vfx (2d, 3d), editing, DVD, Blu-ray, film restoration, camera hire
Turnover £8.1m
Producer 12th= Turnover 17th Peer 12th=
A slow start to Films@59’s year led to staff cut backs, “the result of rates being driven down due to reduced budgets and competition.” but “since June, business has improved and looks buoyant.”


14
Technicolor

technicolor.com/london
28-32 Lexington Street, Soho,
London, W1F 0LF t 020 7319 4900
Md George Kilpatrick Head of post Greg Barrett
Genres film, TV
Credits Poldark, Black Mirror, 45 Years, The Man from Uncle, In the Heart of the Sea, Steve Jobs
Services audio (5.1, ADR), grading (4k), vfx (2d), editing
Turnover £30m
Producer 23rd= Turnover 4th Peer -
Technicolor has now divested its Digital Cinema business and will focus on “colour grading and sound post” along with new tech in HDR and audio post.


15
Clear Cut

clearcut.cc
1 Springvale Terrace, London, W14 0AE; 37-38 Newman Street; 44-48 Bloomsbury Street
Md Max McGonigal Customer Services Richard Knights
Genres TV, film, corporate, ads, promos
Credits 24 Hours in the Past, Autistic Gardener, Leepu & Pitbull 

Services audio (5.1, Foley, ADR), grading (4k), vfx (2d, 3d, animation), editing, film restoration, camera hire, TV studios Turnover £4.6m
Producer 10th Turnover 25th= Peer 12th=


16
Splice

splicetv.com
21a Perseverance Works, London, E2 8DD; Picture House, 1-20 Singer Street, London, EC2A 4BQ Mds Duncan Western, Damian Dolniak Facility manager Ramit Anchal
Genres TV, film, ads, corporate, promos Credits Gascoigne, Salvage Hunters, The John Bishop Show
Services audio (5.1, Foley, ADR), grading (4k), vfx (2d, 3d, animation), editing, film (restoration, cutting) TV studios
Turnover £4.8m
Producer 11th Turnover 24th Peer 18th=


17
LipSync

lipsyncpost.co.uk
123 Wardour Street, London, 
W1F 0UW t 020 7534 9123 
Md Peter Hampden 
Facility manager Lisa Jordan customer services Dan Pagan, Garth Merry
Genres film, TV
Credits Wolf Hall, Blackwork, Passing Belles, Mr Turner, London Fields, Kajaki
Services audio (5.1, ADR), grading (4k), vfx (2d, 3d), editing, telecine (4k), film (restoration, recording)
Turnover £9m
Producer 29th= Turnover 16th Peer 18th=

18
Absolute Post

absolutepost.com
8 Poland Street, London, 
W1F 8PX, New York
t 020 7851 6700
Managing Director Dan Bennett Customer Services Chloe Maring
Genres ads, film, promos, corporate 

Credits Planetary, Easyjet ad, A$AP Rocky promo
Services audio (5.1), grading (4k), vfx (2d, 3d, animation), editing
Turnover £9.2m
Producer 14th=
Turnover 15th Peer –


19
Unit

unit.tv 50 Great Marlborough Street, London W1F 7JS 
Md Adam Luckwell Facility manager Suze Giles Customer services Darryl Bolton
Genres ads, TV
Credits Audi The Coup, Carling Seagull, Humans promo
Services audio (5.1, Foley), grading (4k), vfx (2d, 3d, animation), editing
Turnover £12m
Producer 35th= Turnover 11th Peer –
Another year of growth, reports Unit. “We have just opened another floor for our new flagship enterprise UNIT: Colour. In December we will be opening yet another floor to increase the size of our studio.”

20
Onsight

onsight.co.uk 34-35 Bedfordbury, London, WC2N 4DU Ceo Simon Craddock Facility manager Ben McGuire Customer services Tony Maher
Genres TV, film, corporate, ads, promos
Credits Building Jerusalem, David Attenborough’s Conquest of the Skies, AC/DC: Rock or Bust
Services audio (5.1, ADR), grading (4k), vfx (2d, 3d), editing, film restoration, camera hire, VR
Turnover £5.5m
Producer 20th Turnover 21st= Peer –
Since settling into its new home, Onsight says it’s had “a broader spectrum of clients, helped by our new look premises, expanded infrastructure” and bigger “creative and post producer teams.”


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