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July 2018
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In the magazine
Only available in print
  • Live and direct
    From concerts to cup finals and ceremonial occasions, live events are increasingly important to broadcasters. Tim Dams reports
  • Cutting comments
    In advance of EditFest London 2018, four editors from the worlds of live action and animation who’ve shaped films from Top Gun to Wonderwoman 
to Sweeney Todd, tell Jon Creamer what it takes to create the perfect cut
  • All the World's a stage
    …And nowhere more than the UK, where studios are coping with an unprecedented demand for studio space from TV and film productions. Pippa Considine reports
  • Let's get high
    From the shoot to final delivery, Michael Burns discovers the best route to HDR
  • Tools of the trade
    Televisual’s annual Production Technology Survey reveals the kit that producers are using to make their content – and what they think of it. Jon Creamer reports
  • Get some focus
    Major changes in the camera market have 
made lens choice more important than 
ever. Phil Rhodes runs through some of 
the best options for programme makers
From the magazine
Available to read online
  • The art of the edit
    In advance of EditFest London 2018, four editors from the worlds of live action and animation tell Jon Creamer what it takes to create the perfect cut
Read >>

Reports&
surveys

Production 100, 2015 Back to Reports & survey Listing

51 True North
creative dirs Andrew Sheldon, Jess Fowle md Marc Allen turnover £9.4m hrs 70 key shows Animal SOS (BBC1), Building The Dream (More4)

52 Remedy Productions
(Argonon) mdJuliet Borges cco Tom Blakeson turnover £9.1m hrs 1757.5 key shows 15 to 1 (C4), BBC Radio 1’s Teen Awards (BBC3/), MTV UK Charts (MTV), MTV On Set With... (MTV)

53 Windfall Films
(Argonon) ceo David Dugan md Kristina Obradovic creative dir Ian Duncan, Carlo Massarella turnover £8.85m hrs 44.5 key shows  Fifteen Billion Pound Railway (BBC)

54 Drama Republic
mds Greg Brenman, Roanna Benn director of production Susy Liddell exec producer Jude Liknaitzky turnover £8.8m hrs 8 key shows The Honourable Woman (BBC2)

=55 Artists Studio
(Endemol Shine Group) 
creative dir Gub Neal executive producers Patrick Irwin, Justin Thomas-Glover turnover £8.5m hrs 6 key shows The Fall (BBC2)

=55 Blast! Films
(Sky Ventures)

ceo Edmund Coulthard md Claire Bosworth head of progs  Nick Hornby turnover £8.5m hrs 24 key shows The Supervet (C4), The Nightbus (C4), Plus Sized Wars (C4), Junk Food Kids: Who’s to Blame? (C4)
Blast! Films was acquired by Sky this year, shortly after the factual producer celebrated its twentieth anniversary. Blast has been on something of a winning streak, picking up a string of series commissions such as rig show The Nightbus. Coming up is another fixed rig series set on trawler boats for Channel 4, while its series on the Post Office has just aired on BBC2. The Supervet aired its third series this year for C4. 30% of Blast’s revenues come from international broadcasters.

=55 Icon Films
creative dir Harry Marshall md Laura Marshall dir of prod Andie Clare turnover £8.5m hrs 19.8 key shows River Monsters (ITV), One Show (BBC1)

=55 Blink
company dir Dan Chambers, Justine Kershaw dir of prod Sarah Sapper turnover £8.5m hrs 52 key shows Are You Smarter Than (Nat Geo Wild)

59 Nutopia
ceo Jane Root md Carl Griffin coo Helena Tait exec prods Ben Goold, Peter Lovering turnover £8m hrs 9 key shows How We Got to Now (BBC2)

60 Wag tv
ceo Martin Durkin coo Steven Green head of prod Clare Corcoran turnover £7.6m hrs 44 key shows Combat Dealers (Quest)




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