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March 2018
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In the magazine
Only available in print
  • Genre report - Entertainment and comedy
    In a two-part special, Tim Dams reports on TV’s fresh focus on entertainment, and new directions in comedy
  • The art of cinematography
    Four leading DoPs tell Michael Burns the secrets of their craft, and explain the techniques they used to create hits like Jason Bourne, The King’s Speech, Lion and Sherlock
  • The Top Ten Cameras
    Televisual’s annual survey reveals the UK’s most hired cameras of the year and uncovers the models everyone will be shooting on in the year ahead
  • TV Studios
    The television studios sector is in flux, amid a spate of closures and re-developments. Pippa Considine reports on a changing studios landscape
  • Take it outside
    Major technical advances such as UHD, HDR and IP are driving big changes in the outside broadcast market. Michael Burns reports
  • And lots more
    This issue also features the Televisual Corporate 50, bright ideas for lighting, how post houses are dealing with the data bulge and pages showcasing the best creative work in UK post and vfx
From the magazine
Available to read online
  • Game On for C4 & Netflix drama
    Set in the world of computer gaming, C4 and Netflix’s Kiss Me First combines live action and impressive cg animation. Tim Dams reports
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Reports&
surveys

Production 100, 2015 Back to Reports & survey Listing

Below is the list of true indies. They are companies that are truly independent, and are run by their owners rather than a US studio, UK broadcaster or private equity group. Entrepreneurial in spirit, they are among the fastest growing companies in the Production 100.

Avalon tops the list on the back of a strong year that has seen revenues at the comedy and entertainment outfit climb from £66.3m to £87.1m.

Hat Trick has done well too. Turnover is up from £37m last year
to £47m this year. Another indie to perform strongly is Arrow Media. The factual indie has seen turnover leap from £7.8m to £10.9m.

Elsewhere, indies such as Wild Pictures, Burning Bright, Eleven Film, Oxford Film and TV, Minnow Films, Sixteen South and HCA Entertainment have posted strong growth. HCA, for example, has had a swathe of shows in production for multiple broadcasters.

New entrants to the list include JJ Stereo, Woodcut Media, Sweet TV, If Not Us Films, Clean Cut Media, Firecrest Films and Amos Pictures.




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