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September 2018

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  • The Production 100
    Tim Dams introduces Televisual’s exclusive Production 100 survey of the indie television sector, now in its 26th year, and finds the rise of the streamers is creating opportunity –but also plenty of anxiety. The report includes the top 100 indies, the
  • The Genre report: Factual TV
    Demand for factual is growing as channels fight ever harder for audiences. Televisual Factual Festival producer Pippa Considine reports
  • All the Fun of the Fair
    ITV and Amazon’s new Vanity Fair adaptation demanded a period drama with a modern sensibility. But how was that balancing act achieved? Jon Creamer reports
  • The Art of the Vfx Super
    Creativity, tech know-how and a cool head are essential attributes for a vfx supervisor. Three top supers tell Jon Creamer how they help create screen magic
  • Channel 4's big move
    Three cities are still in the running for the new out-of-London Channel 4 HQ and three for the two creative hubs. The indies in those cities say the potential prize is immense. Jon Creamer reports
  • IBC preview
    IBC is a great place to check out both new launches and to get your hands on something already announced at NAB. Here’s a small taste of what’s likely to be on offer
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Production Technology Survey, 2015 Back to Reports & survey Listing

Televisual asked its readers for their thoughts and opinions on the technology they use to make their programmes.

We had 166 in depth responses in total.  The majority – 86% - worked in independent production, the rest for broadcasters.
Some 53% were on staff, while 47% said they were freelance.

The responses came from the more senior end of the industry, with 42% saying they managed production budgets, were responsible for the production, defined workflows, technology choices and resource partners. 27% said they were tasked with delivering a production, advising on production workflows, technology choices and resource partners, but had limited budget responsibility.

40% said they worked in the factual TV genre. Another 21% were from corporate production, 8% from film, 6% from commercials, 5% from TV sport, 5% from TV drama and 4% from entertainment and childrens television.

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