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July 2018
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In the magazine
Only available in print
  • Live and direct
    From concerts to cup finals and ceremonial occasions, live events are increasingly important to broadcasters. Tim Dams reports
  • Cutting comments
    In advance of EditFest London 2018, four editors from the worlds of live action and animation who’ve shaped films from Top Gun to Wonderwoman 
to Sweeney Todd, tell Jon Creamer what it takes to create the perfect cut
  • All the World's a stage
    …And nowhere more than the UK, where studios are coping with an unprecedented demand for studio space from TV and film productions. Pippa Considine reports
  • Let's get high
    From the shoot to final delivery, Michael Burns discovers the best route to HDR
  • Tools of the trade
    Televisual’s annual Production Technology Survey reveals the kit that producers are using to make their content – and what they think of it. Jon Creamer reports
  • Get some focus
    Major changes in the camera market have 
made lens choice more important than 
ever. Phil Rhodes runs through some of 
the best options for programme makers
From the magazine
Available to read online
  • The art of the edit
    In advance of EditFest London 2018, four editors from the worlds of live action and animation tell Jon Creamer what it takes to create the perfect cut
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Reports&
surveys

Production Technology Survey, 2015 Back to Reports & survey Listing

Televisual asked its readers for their thoughts and opinions on the technology they use to make their programmes.

We had 166 in depth responses in total.  The majority – 86% - worked in independent production, the rest for broadcasters.
Some 53% were on staff, while 47% said they were freelance.

The responses came from the more senior end of the industry, with 42% saying they managed production budgets, were responsible for the production, defined workflows, technology choices and resource partners. 27% said they were tasked with delivering a production, advising on production workflows, technology choices and resource partners, but had limited budget responsibility.

40% said they worked in the factual TV genre. Another 21% were from corporate production, 8% from film, 6% from commercials, 5% from TV sport, 5% from TV drama and 4% from entertainment and childrens television.

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