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December 2017
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In the magazine
Only available in print
  • The Televisual Commercials 30
    Jon Creamer introduces Televisual's exclusive annual report, the Commercials 30, and finds that while budgets are down and production companies are under threat from agency in-house units, commercials producers are finding new horizons beyond ads too.
  • Commercials 30: Best in Show
    Commercials producers also get to vote for their favourite directors, stand out ads and top rated agencies along with their favourite post houses, editors and vfx ops. We reveal the results
  • Commercials 30: The Top 30
    Televisual reveals the Commercials 30 itself, the 30 top rated commercials production companies in the UK
  • Music in Motion
    So what’s next for the music behind the commercials? Will it be another year in the ascendant for London Grime perhaps? Portugese house? Afro beats or the Angolan kuduro sound?
  • Televisual Factual Festival report
    Last month saw Televisual's annual Factual Festival return to Bafta. How to stand out in a world of ever increasing viewer choice was the big theme this time. Tim Dams reports
  • Alison Kirkham in interview
    At the Televisual Factual Festival, the BBC's controller of factual Alison Kirkham outlined the shows the corporation is looking for in the year ahead
From the magazine
Available to read online
  • 2017: the year in review
    Two very different stories – the rise of SVOD players and the Harvey Weinstein abuse allegations – defined TV’s year. Tim Dams reports
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Reports&
surveys

Production Technology Survey, 2015 Back to Reports & survey Listing

Televisual asked its readers for their thoughts and opinions on the technology they use to make their programmes.

We had 166 in depth responses in total.  The majority – 86% - worked in independent production, the rest for broadcasters.
Some 53% were on staff, while 47% said they were freelance.

The responses came from the more senior end of the industry, with 42% saying they managed production budgets, were responsible for the production, defined workflows, technology choices and resource partners. 27% said they were tasked with delivering a production, advising on production workflows, technology choices and resource partners, but had limited budget responsibility.

40% said they worked in the factual TV genre. Another 21% were from corporate production, 8% from film, 6% from commercials, 5% from TV sport, 5% from TV drama and 4% from entertainment and childrens television.

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