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March 2018

In the magazine
Only available in print
  • Genre report - Entertainment and comedy
    In a two-part special, Tim Dams reports on TV’s fresh focus on entertainment, and new directions in comedy
  • The art of cinematography
    Four leading DoPs tell Michael Burns the secrets of their craft, and explain the techniques they used to create hits like Jason Bourne, The King’s Speech, Lion and Sherlock
  • The Top Ten Cameras
    Televisual’s annual survey reveals the UK’s most hired cameras of the year and uncovers the models everyone will be shooting on in the year ahead
  • TV Studios
    The television studios sector is in flux, amid a spate of closures and re-developments. Pippa Considine reports on a changing studios landscape
  • Take it outside
    Major technical advances such as UHD, HDR and IP are driving big changes in the outside broadcast market. Michael Burns reports
  • And lots more
    This issue also features the Televisual Corporate 50, bright ideas for lighting, how post houses are dealing with the data bulge and pages showcasing the best creative work in UK post and vfx
From the magazine
Available to read online
  • Game On for C4 & Netflix drama
    Set in the world of computer gaming, C4 and Netflix’s Kiss Me First combines live action and impressive cg animation. Tim Dams reports
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Production Technology Survey, 2015 Back to Reports & survey Listing

Televisual asked its readers for their thoughts and opinions on the technology they use to make their programmes.

We had 166 in depth responses in total.  The majority – 86% - worked in independent production, the rest for broadcasters.
Some 53% were on staff, while 47% said they were freelance.

The responses came from the more senior end of the industry, with 42% saying they managed production budgets, were responsible for the production, defined workflows, technology choices and resource partners. 27% said they were tasked with delivering a production, advising on production workflows, technology choices and resource partners, but had limited budget responsibility.

40% said they worked in the factual TV genre. Another 21% were from corporate production, 8% from film, 6% from commercials, 5% from TV sport, 5% from TV drama and 4% from entertainment and childrens television.

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