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March 2018
£10.00


In the magazine
Only available in print
  • Genre report - Entertainment and comedy
    In a two-part special, Tim Dams reports on TV’s fresh focus on entertainment, and new directions in comedy
  • The art of cinematography
    Four leading DoPs tell Michael Burns the secrets of their craft, and explain the techniques they used to create hits like Jason Bourne, The King’s Speech, Lion and Sherlock
  • The Top Ten Cameras
    Televisual’s annual survey reveals the UK’s most hired cameras of the year and uncovers the models everyone will be shooting on in the year ahead
  • TV Studios
    The television studios sector is in flux, amid a spate of closures and re-developments. Pippa Considine reports on a changing studios landscape
  • Take it outside
    Major technical advances such as UHD, HDR and IP are driving big changes in the outside broadcast market. Michael Burns reports
  • And lots more
    This issue also features the Televisual Corporate 50, bright ideas for lighting, how post houses are dealing with the data bulge and pages showcasing the best creative work in UK post and vfx
From the magazine
Available to read online
  • Game On for C4 & Netflix drama
    Set in the world of computer gaming, C4 and Netflix’s Kiss Me First combines live action and impressive cg animation. Tim Dams reports
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Reports&
surveys

Production Technology Survey, 2015 Back to Reports & survey Listing

Shooting in 4K is still something done by the minority of programme makers, according to our survey.

Only 30% of respondents told us they had shot in the format in the past year. However, this is up from 23% in last year’s survey, indicating that shooting in 4K is starting to pick up.

This is only likely to increase in the year ahead. Almost 50% of those we surveyed said they expect to shoot in 4K in the next 12 months.

Many are filming in 4K to future-proof their productions or because they want to achieve the best quality visuals possible for a high-end doc, drama, commercial or film.  Other reasons given for shooting in 4K are the greater flexibility it gives in the edit in terms of cropping, re-framing, grading and vfx.

Fewer have mastered in 4K though, choosing to downconvert to HD for post production. Only 12% say they have mastered in 4K this year.

Incredibly, a large proportion of our respondents – 30% - have never seen 4K content played out in 4K, indicating the hurdles the format faces before it becomes truly mainstream. “Most TV still doesn’t even broadcast in HD,” notes one respondent.



The consensus, according to our survey, is that it will be five or six years before 4K is commonplace in the home. 



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