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September 2018
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  • The Production 100
    Tim Dams introduces Televisual’s exclusive Production 100 survey of the indie television sector, now in its 26th year, and finds the rise of the streamers is creating opportunity –but also plenty of anxiety. The report includes the top 100 indies, the
  • The Genre report: Factual TV
    Demand for factual is growing as channels fight ever harder for audiences. Televisual Factual Festival producer Pippa Considine reports
  • All the Fun of the Fair
    ITV and Amazon’s new Vanity Fair adaptation demanded a period drama with a modern sensibility. But how was that balancing act achieved? Jon Creamer reports
  • The Art of the Vfx Super
    Creativity, tech know-how and a cool head are essential attributes for a vfx supervisor. Three top supers tell Jon Creamer how they help create screen magic
  • Channel 4's big move
    Three cities are still in the running for the new out-of-London Channel 4 HQ and three for the two creative hubs. The indies in those cities say the potential prize is immense. Jon Creamer reports
  • IBC preview
    IBC is a great place to check out both new launches and to get your hands on something already announced at NAB. Here’s a small taste of what’s likely to be on offer
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Reports&
surveys

Production Technology Survey, 2015 Back to Reports & survey Listing

Shooting in 4K is still something done by the minority of programme makers, according to our survey.

Only 30% of respondents told us they had shot in the format in the past year. However, this is up from 23% in last year’s survey, indicating that shooting in 4K is starting to pick up.

This is only likely to increase in the year ahead. Almost 50% of those we surveyed said they expect to shoot in 4K in the next 12 months.

Many are filming in 4K to future-proof their productions or because they want to achieve the best quality visuals possible for a high-end doc, drama, commercial or film.  Other reasons given for shooting in 4K are the greater flexibility it gives in the edit in terms of cropping, re-framing, grading and vfx.

Fewer have mastered in 4K though, choosing to downconvert to HD for post production. Only 12% say they have mastered in 4K this year.

Incredibly, a large proportion of our respondents – 30% - have never seen 4K content played out in 4K, indicating the hurdles the format faces before it becomes truly mainstream. “Most TV still doesn’t even broadcast in HD,” notes one respondent.



The consensus, according to our survey, is that it will be five or six years before 4K is commonplace in the home. 



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