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October 2017

In the magazine
Only available in print
  • The Facilities 50
    Jon Creamer launches Televisual's 30th exclusive annual Facilities 50 survey featuring the top post production houses in the UK and 52 pages of analysis of the sector
  • Interview: Grant Mansfield
    Hiring top talent and investing heavily in development have been key to growing his Bristol indie Plimsoll Productions, says founder Grant Mansfield
  • The clear view: lenses
    What ever genre you work in, you need to be lens savvy. Here three DoPs guide us through the lens market, picking out the models they like to use in drama and factual
  • Over the top
    The growth of Netflix and Amazon is proving a boon for UK indies, but broadcasters are starting to panic. Tim Dams reports
From the magazine
Available to read online
  • Blue Planet II
    The producers of Blue Planet II tell Tim Dams how tech advances and military planning helped them capture the secrets of the deep
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Production Technology Survey, 2015 Back to Reports & survey Listing

Avid remains the strongest brand in the compositing market with the DS system being used by 20% of users - even though it has been discontinued by the manufacturer. Smoke and Flame are used by 8% and 7% of respondents respectively. Many also told us that they composited with Adobe After Effects. However, 75% said they didn’t composit.

The majority of respondents say they grade using plug-ins or tools within their editing systems, reflecting the move by manufacturers to add more grading tools to their editing systems.

DaVinci Resolve emerges as the most used standalone grading system with 34% saying they employed it, while FilmLight Baselight followed with 14%.

Remote editing
The ability to edit remotely is becoming ever more possible, yet very few programme makers have either done it or even plan to. Some 55% said they had no plans to edit remotely.

However, 31% said they had not opted for remote editing, yet planned to in the next 12 months.

Of the technologies available, the most popular to date is Avid Media Composer | Cloud, cited by 6% of respondents, followed by Avid Media Central | UX and Adobe Anywhere.

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