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November 2018
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In the magazine
Only available in print
  • The Facilities 50
    Jon Creamer launches Televisual's 31st exclusive annual Facilities 50 survey featuring the top post production houses in the UK and 48 pages of analysis of the sector
  • The Commercials 30
    Jon Creamer introduces Televisual’s exclusive Commercial 30 survey, reporting on a year of highs and lows for commercials producers.
  • The Drama Genre Report
    With competition from streamers intensifying, UK broadcasters are exploring new drama strategies. Tim Dams reports
  • Primary Colours
    Five leading movie colourists tell Michael Burns the secrets of their craft, and explain the techniques they use to grade movies like The Danish Girl, Peterloo and Baby Driver
  • Up, up and away!
    Thanks to advances in camera technology, the possibilities of aerial filming are greater than ever before. Pippa Considine reports on some of the year’s standout aerial projects
  • OB: Which Way Now
    The OB industry is embracing major change as it adapts to the worlds of UHD, HDR and IP. Michael Burns reports
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Reports&
surveys

Production Technology Survey, 2015 Back to Reports & survey Listing

Compositing
Avid remains the strongest brand in the compositing market with the DS system being used by 20% of users - even though it has been discontinued by the manufacturer. Smoke and Flame are used by 8% and 7% of respondents respectively. Many also told us that they composited with Adobe After Effects. However, 75% said they didn’t composit.

Grading
The majority of respondents say they grade using plug-ins or tools within their editing systems, reflecting the move by manufacturers to add more grading tools to their editing systems.

DaVinci Resolve emerges as the most used standalone grading system with 34% saying they employed it, while FilmLight Baselight followed with 14%.

Remote editing
The ability to edit remotely is becoming ever more possible, yet very few programme makers have either done it or even plan to. Some 55% said they had no plans to edit remotely.

However, 31% said they had not opted for remote editing, yet planned to in the next 12 months.

Of the technologies available, the most popular to date is Avid Media Composer | Cloud, cited by 6% of respondents, followed by Avid Media Central | UX and Adobe Anywhere.




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