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July 2018
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In the magazine
Only available in print
  • Live and direct
    From concerts to cup finals and ceremonial occasions, live events are increasingly important to broadcasters. Tim Dams reports
  • Cutting comments
    In advance of EditFest London 2018, four editors from the worlds of live action and animation who’ve shaped films from Top Gun to Wonderwoman 
to Sweeney Todd, tell Jon Creamer what it takes to create the perfect cut
  • All the World's a stage
    …And nowhere more than the UK, where studios are coping with an unprecedented demand for studio space from TV and film productions. Pippa Considine reports
  • Let's get high
    From the shoot to final delivery, Michael Burns discovers the best route to HDR
  • Tools of the trade
    Televisual’s annual Production Technology Survey reveals the kit that producers are using to make their content – and what they think of it. Jon Creamer reports
  • Get some focus
    Major changes in the camera market have 
made lens choice more important than 
ever. Phil Rhodes runs through some of 
the best options for programme makers
From the magazine
Available to read online
  • The art of the edit
    In advance of EditFest London 2018, four editors from the worlds of live action and animation tell Jon Creamer what it takes to create the perfect cut
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Reports&
surveys

Corporate 50 2015 Back to Reports & survey Listing

01 The Edge
It’s yet another year at the top of the peer poll for The Edge. It gets votes for its “quality of creative output” and for the ”amount of awards they win.” One voter simply says that ”you can’t help but admire them.”

02= Casual Films
Holding its place in second on the peer poll is Casual, picked out for its “fresh and youthful approach” and its “great marketing” as well as the “quality and breadth of its work” and for being a “young outfit with young directors producing great work.”

02= Jack Morton
Jack Morton takes second place too in the poll with admirers citing it for “for the diversity and quality of its work” and for its “scale and footprint” and simply for being “just so good at everything they do.”

04 Imagination
Imagination’s fans point to its “continued ability to deliver outstanding work.”

05 Lonely Leap
“Visually strong, recognizable style, good documentary makers” says one Lonely Leap voter.

06= Pretzel Films
Pretzel takes equal sixth in the peer poll with admirers picking it out for its “innovative work” as well as its ”quality of creative output.”

06= Radley Yeldar

Radley Yeldar gains voters for its  “reach and consultative approach” and because it has ” broadened its offer to get a wider slice of the pie.”

08= Pukka Films
Pukka’s Bafta nominated movie Kajaki impressed voters. One summed up the general mood saying, “I have huge respect for Paul and Andrew’s amazing achievement in being Bafta nominated for Kajaki alongside running a successful corporate production company” 

08= Wilder
Wilder is cited by its fans for its “great creative.”

10= Merchant Cantos

It’s Merchant Cantos’ “great ability with regular retained clients” that impresses many.

10=Plastic Pictures

”They’ve brought a freshness to the industry,” says one of Plastic Pictures’ voters.

10=Scorch London
Scorch’s admirers point to its  “great work and sustained improvement.”

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