Subscribe Online  
 

March 2018
£10.00


In the magazine
Only available in print
  • Genre report - Entertainment and comedy
    In a two-part special, Tim Dams reports on TV’s fresh focus on entertainment, and new directions in comedy
  • The art of cinematography
    Four leading DoPs tell Michael Burns the secrets of their craft, and explain the techniques they used to create hits like Jason Bourne, The King’s Speech, Lion and Sherlock
  • The Top Ten Cameras
    Televisual’s annual survey reveals the UK’s most hired cameras of the year and uncovers the models everyone will be shooting on in the year ahead
  • TV Studios
    The television studios sector is in flux, amid a spate of closures and re-developments. Pippa Considine reports on a changing studios landscape
  • Take it outside
    Major technical advances such as UHD, HDR and IP are driving big changes in the outside broadcast market. Michael Burns reports
  • And lots more
    This issue also features the Televisual Corporate 50, bright ideas for lighting, how post houses are dealing with the data bulge and pages showcasing the best creative work in UK post and vfx
From the magazine
Available to read online
  • Game On for C4 & Netflix drama
    Set in the world of computer gaming, C4 and Netflix’s Kiss Me First combines live action and impressive cg animation. Tim Dams reports
Read >>

Reports&
surveys

Production 100, 2014 Back to Reports & survey Listing

Below is a list of true indies. They are companies that are truly independent – they are not owned by a larger group, private equity company or US studio. Run by their owners, the true indies are entrepreneurial in spirit and often highly creative.

They’re also a dwindling bunch in an industry that has become even more consolidated in the past year.

The list is topped by Hat Trick, which was bought back by its management in 2009 after an unhappy spell under private equity ownership. The ‘true indie’ list includes some of the fastest growing companies in the sector, including Hartswood, Neal Street, Red Planet, Off the Fence, Keo, True North, Spun Gold, Blink, Icon Films, Arrow Media, Drama Republic, Raise the Roof, Blue Zoo and Outline.

The list also includes some of the most highly regarded companies in the sector – certainly amongst their peers. Outline, Keo, Baby Cow, Plum, Arrow, True Vision and Neal Street were all highly rated in the Production 100 Peer Poll. The credits of true indies is impressive too and include: Sherlock (Hartswood), Uncle (Baby Cow), David Attenborough’s First Life (Atlantic), The Honourable Woman (Drama Republic) and Live From Space Season (Arrow Media).

Many of them feel disadvantaged compared to producers that are part of deep pocketed superindie groups. They say that, by comparison, they lack ready access to capital to grow, particularly to invest in development.




More Chapters

 
Televisual Media UK Ltd 23 Golden Square, London, W1F 9JP
©2009 - 2017 Televisual. All rights reserved
Use of this website signifies your agreement to the Terms of Use | Disclaimer