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November 2019
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  • The Facilities 50
    Jon Creamer launches Televisual's 32nd exclusive annual Facilities 50 survey featuring the top post production houses in the UK and 48 pages of analysis of the sector
  • Aim High
    10 page special report on production at the high end. We take a look at what’s new in colour management, pre visualisation, aerial filming, full frame shooting, the role of the DIT, working with Dolby Atmos, choosing the right codec, booking studios and
  • Drama: Genre Report
    As the streaming revolution gathers pace, with Apple TV+ and Disney+ now entering the SVOD fray, Tim Dams reports on the drama strategies of traditional broadcasters in an increasingly competitive market
  • Live Sport: Technology
    Live sports and events coverage, always on the cutting edge of innovation, is being transformed by new technology from remote production to 5G and immersive sound. Michael Burns reports
  • The Art of the Grade
    The grade provides a consistent ‘look’ to a drama, but a great grade can enhance mood, focus and narrative flow. Jon Creamer asks the experts behind Paddington, Ad Astra, Bohemian Rhapsody, Fleabag and more how it’s done
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Reports&
surveys

Production 100, 2014 Back to Reports & survey Listing

There’s been a spate of deal-making over the past year in the UK production sector, which has seen global media groups become key players in the industry.

Discovery has emerged as a major force in UK production. The US broadcaster teamed with Liberty Global in May for the £550m purchase of All3Media Group, and separately acquired Raw TV in March. Meanwhile, 21st Century Fox and private equity group Apollo are combining their superindies – Shine, Endemol and Core Media – into one major group. Sky, which is 39% owned by 21st Century Fox, also acquired Love Productions this summer.

Elsewhere, Warner Bros Television Group took full control of the Shed Media Group in June, rebranding as Warner Bros Television Productions. Sony has extended its UK business, backing Karl Warner’s new indie Electric Ray. Other major foreign buyers include France’s StudioCanal, which acquired drama producer Red (which did not file for the Production 100 this year). And US talent agency William Morris Endeavour took over sports producer IMG.

ITV has followed on last year’s acquisitions of Big Talk and The Garden by focusing on the international market, buying US producer Leftfield Entertainment in May to add to its other US indies. ITV Studios’ global revenues for 2013 were £857m. However, ITV did not file for the Production 100 as it does not break down the turnover of its individual units.

Other significant deals this year include the merger last October of Twofour Group and Boom Pictures, as well as Argonon’s acqusition of respected factual producer Windfall Films in February.







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