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September 2018
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  • The Production 100
    Tim Dams introduces Televisual’s exclusive Production 100 survey of the indie television sector, now in its 26th year, and finds the rise of the streamers is creating opportunity –but also plenty of anxiety. The report includes the top 100 indies, the
  • The Genre report: Factual TV
    Demand for factual is growing as channels fight ever harder for audiences. Televisual Factual Festival producer Pippa Considine reports
  • All the Fun of the Fair
    ITV and Amazon’s new Vanity Fair adaptation demanded a period drama with a modern sensibility. But how was that balancing act achieved? Jon Creamer reports
  • The Art of the Vfx Super
    Creativity, tech know-how and a cool head are essential attributes for a vfx supervisor. Three top supers tell Jon Creamer how they help create screen magic
  • Channel 4's big move
    Three cities are still in the running for the new out-of-London Channel 4 HQ and three for the two creative hubs. The indies in those cities say the potential prize is immense. Jon Creamer reports
  • IBC preview
    IBC is a great place to check out both new launches and to get your hands on something already announced at NAB. Here’s a small taste of what’s likely to be on offer
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surveys

Production Technology Survey, 2014 Back to Reports & survey Listing

Televisual’s annual Production Technology Survey reveals the production and post production kit the industry is using and what producers think of it. Tim Dams reports

The speed of change in production is faster than ever before. New cameras, editing kit and production technology are launched onto the market with such regularity that it’s difficult for many to keep up with what’s new and what’s best for their programme-making needs.

That’s where the Production Technology Survey comes in. Amidst a sea of competing products, we’ve sought to establish which are the most popular technology brands and models in production today, as well as highlighting the key technology trends that are driving the market. We’ve done this by asking 100 senior production execs for their views about the technology they use in production.

We have focused on a number of key areas. Firstly, on the opposite page, we take the temperature of the rapidly evolving camera market, revealing the most popular manufacturers and models. Next, we focus on post production, specifically editing, compositing and grading. We also look at the use of cloud technology and digital workflows in production. Finally, there’s also a whole page of findings on the take up and future of 4K.

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