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October 2017
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In the magazine
Only available in print
  • The Facilities 50
    Jon Creamer launches Televisual's 30th exclusive annual Facilities 50 survey featuring the top post production houses in the UK and 52 pages of analysis of the sector
  • Interview: Grant Mansfield
    Hiring top talent and investing heavily in development have been key to growing his Bristol indie Plimsoll Productions, says founder Grant Mansfield
  • The clear view: lenses
    What ever genre you work in, you need to be lens savvy. Here three DoPs guide us through the lens market, picking out the models they like to use in drama and factual
  • Over the top
    The growth of Netflix and Amazon is proving a boon for UK indies, but broadcasters are starting to panic. Tim Dams reports
From the magazine
Available to read online
  • Blue Planet II
    The producers of Blue Planet II tell Tim Dams how tech advances and military planning helped them capture the secrets of the deep
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Reports&
surveys

Production Technology Survey, 2014 Back to Reports & survey Listing

Televisual’s annual Production Technology Survey reveals the production and post production kit the industry is using and what producers think of it. Tim Dams reports

The speed of change in production is faster than ever before. New cameras, editing kit and production technology are launched onto the market with such regularity that it’s difficult for many to keep up with what’s new and what’s best for their programme-making needs.

That’s where the Production Technology Survey comes in. Amidst a sea of competing products, we’ve sought to establish which are the most popular technology brands and models in production today, as well as highlighting the key technology trends that are driving the market. We’ve done this by asking 100 senior production execs for their views about the technology they use in production.

We have focused on a number of key areas. Firstly, on the opposite page, we take the temperature of the rapidly evolving camera market, revealing the most popular manufacturers and models. Next, we focus on post production, specifically editing, compositing and grading. We also look at the use of cloud technology and digital workflows in production. Finally, there’s also a whole page of findings on the take up and future of 4K.

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