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December 2017
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In the magazine
Only available in print
  • The Televisual Commercials 30
    Jon Creamer introduces Televisual's exclusive annual report, the Commercials 30, and finds that while budgets are down and production companies are under threat from agency in-house units, commercials producers are finding new horizons beyond ads too.
  • Commercials 30: Best in Show
    Commercials producers also get to vote for their favourite directors, stand out ads and top rated agencies along with their favourite post houses, editors and vfx ops. We reveal the results
  • Commercials 30: The Top 30
    Televisual reveals the Commercials 30 itself, the 30 top rated commercials production companies in the UK
  • Music in Motion
    So what’s next for the music behind the commercials? Will it be another year in the ascendant for London Grime perhaps? Portugese house? Afro beats or the Angolan kuduro sound?
  • Televisual Factual Festival report
    Last month saw Televisual's annual Factual Festival return to Bafta. How to stand out in a world of ever increasing viewer choice was the big theme this time. Tim Dams reports
  • Alison Kirkham in interview
    At the Televisual Factual Festival, the BBC's controller of factual Alison Kirkham outlined the shows the corporation is looking for in the year ahead
From the magazine
Available to read online
  • 2017: the year in review
    Two very different stories – the rise of SVOD players and the Harvey Weinstein abuse allegations – defined TV’s year. Tim Dams reports
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Reports&
surveys

Production Technology Survey, 2014 Back to Reports & survey Listing

Televisual’s annual Production Technology Survey reveals the production and post production kit the industry is using and what producers think of it. Tim Dams reports

The speed of change in production is faster than ever before. New cameras, editing kit and production technology are launched onto the market with such regularity that it’s difficult for many to keep up with what’s new and what’s best for their programme-making needs.

That’s where the Production Technology Survey comes in. Amidst a sea of competing products, we’ve sought to establish which are the most popular technology brands and models in production today, as well as highlighting the key technology trends that are driving the market. We’ve done this by asking 100 senior production execs for their views about the technology they use in production.

We have focused on a number of key areas. Firstly, on the opposite page, we take the temperature of the rapidly evolving camera market, revealing the most popular manufacturers and models. Next, we focus on post production, specifically editing, compositing and grading. We also look at the use of cloud technology and digital workflows in production. Finally, there’s also a whole page of findings on the take up and future of 4K.

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