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March 2018
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In the magazine
Only available in print
  • Genre report - Entertainment and comedy
    In a two-part special, Tim Dams reports on TV’s fresh focus on entertainment, and new directions in comedy
  • The art of cinematography
    Four leading DoPs tell Michael Burns the secrets of their craft, and explain the techniques they used to create hits like Jason Bourne, The King’s Speech, Lion and Sherlock
  • The Top Ten Cameras
    Televisual’s annual survey reveals the UK’s most hired cameras of the year and uncovers the models everyone will be shooting on in the year ahead
  • TV Studios
    The television studios sector is in flux, amid a spate of closures and re-developments. Pippa Considine reports on a changing studios landscape
  • Take it outside
    Major technical advances such as UHD, HDR and IP are driving big changes in the outside broadcast market. Michael Burns reports
  • And lots more
    This issue also features the Televisual Corporate 50, bright ideas for lighting, how post houses are dealing with the data bulge and pages showcasing the best creative work in UK post and vfx
From the magazine
Available to read online
  • Game On for C4 & Netflix drama
    Set in the world of computer gaming, C4 and Netflix’s Kiss Me First combines live action and impressive cg animation. Tim Dams reports
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Reports&
surveys

Production Technology Survey, 2014 Back to Reports & survey Listing

Televisual specifically targetted the opinions of 100 senior production staff for the Production Technology Survey 2014, all of whom are responsible for determining technology choices on productions.

The 100 execs work at some of leading TV, film, commercials and corporate production companies in the UK such as Atlantic, Boundless, Casual Films, Company Pictures, Endemol, The Garden, IMG, Kudos, Leopard, Leftbank, Lime TV, Maverick, October Films, Princess, Rattling Stick, Raw, RDF, Ricochet, Sunset & Vine, Tiger Aspect, Wag TV, Windfall and World Television.

58% of respondents said they manage the production budget and are responsible for the production and technology choices. Meanwhile, 25% said they manage the production budget, and take advice on technology choices.

11 heads of production, four directors of production, 10 production managers, six managing directors, five heads of post production, 13 producer/directors, five exec producers and three series producers were among the 100 respondents to the survey.

73% said they work in TV production. 21% work in corporate, 13% in film, and 9% in commercials. (Some work in several sectors, explaining why the total is more than 100%).

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