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July 2018
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In the magazine
Only available in print
  • Live and direct
    From concerts to cup finals and ceremonial occasions, live events are increasingly important to broadcasters. Tim Dams reports
  • Cutting comments
    In advance of EditFest London 2018, four editors from the worlds of live action and animation who’ve shaped films from Top Gun to Wonderwoman 
to Sweeney Todd, tell Jon Creamer what it takes to create the perfect cut
  • All the World's a stage
    …And nowhere more than the UK, where studios are coping with an unprecedented demand for studio space from TV and film productions. Pippa Considine reports
  • Let's get high
    From the shoot to final delivery, Michael Burns discovers the best route to HDR
  • Tools of the trade
    Televisual’s annual Production Technology Survey reveals the kit that producers are using to make their content – and what they think of it. Jon Creamer reports
  • Get some focus
    Major changes in the camera market have 
made lens choice more important than 
ever. Phil Rhodes runs through some of 
the best options for programme makers
From the magazine
Available to read online
  • The art of the edit
    In advance of EditFest London 2018, four editors from the worlds of live action and animation tell Jon Creamer what it takes to create the perfect cut
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Reports&
surveys

Production Technology Survey, 2014 Back to Reports & survey Listing

Televisual specifically targetted the opinions of 100 senior production staff for the Production Technology Survey 2014, all of whom are responsible for determining technology choices on productions.

The 100 execs work at some of leading TV, film, commercials and corporate production companies in the UK such as Atlantic, Boundless, Casual Films, Company Pictures, Endemol, The Garden, IMG, Kudos, Leopard, Leftbank, Lime TV, Maverick, October Films, Princess, Rattling Stick, Raw, RDF, Ricochet, Sunset & Vine, Tiger Aspect, Wag TV, Windfall and World Television.

58% of respondents said they manage the production budget and are responsible for the production and technology choices. Meanwhile, 25% said they manage the production budget, and take advice on technology choices.

11 heads of production, four directors of production, 10 production managers, six managing directors, five heads of post production, 13 producer/directors, five exec producers and three series producers were among the 100 respondents to the survey.

73% said they work in TV production. 21% work in corporate, 13% in film, and 9% in commercials. (Some work in several sectors, explaining why the total is more than 100%).

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