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July 2018
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In the magazine
Only available in print
  • Live and direct
    From concerts to cup finals and ceremonial occasions, live events are increasingly important to broadcasters. Tim Dams reports
  • Cutting comments
    In advance of EditFest London 2018, four editors from the worlds of live action and animation who’ve shaped films from Top Gun to Wonderwoman 
to Sweeney Todd, tell Jon Creamer what it takes to create the perfect cut
  • All the World's a stage
    …And nowhere more than the UK, where studios are coping with an unprecedented demand for studio space from TV and film productions. Pippa Considine reports
  • Let's get high
    From the shoot to final delivery, Michael Burns discovers the best route to HDR
  • Tools of the trade
    Televisual’s annual Production Technology Survey reveals the kit that producers are using to make their content – and what they think of it. Jon Creamer reports
  • Get some focus
    Major changes in the camera market have 
made lens choice more important than 
ever. Phil Rhodes runs through some of 
the best options for programme makers
From the magazine
Available to read online
  • The art of the edit
    In advance of EditFest London 2018, four editors from the worlds of live action and animation tell Jon Creamer what it takes to create the perfect cut
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Reports&
surveys

Production Technology Survey, 2014 Back to Reports & survey Listing

The Cloud
It seems the move to the cloud is gaining traction, with programme makers increasingly drawn by the idea of remotely storing, editing and exporting content (see chdart below). Some 26% of respondents said they are or expect to use cloud based asset management or editing in the next 12 months, significantly up from 2% last year.



However, the majority, 43%, still aren’t or don’t think they will be using it in the next 12 months, citing low broadband speeds as holding back its take off.

Forscene and Avid Media Composer Cloud are the platforms most cited by survey respondents who are using cloud based technologies. Others are using Pronology, Aframe, Rapta and Fred.

DPP deadline

Two thirds of TV producers say they are ready to deliver digital compliant files to broadcasters by October, as agreed by the Digital Production Partnership (DPP). Worryingly, though, over one third say they are not ready for the deadline - or thought the changes weren’t applicable to them. “Never heard of it,” said several execs.



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