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December 2017
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In the magazine
Only available in print
  • The Televisual Commercials 30
    Jon Creamer introduces Televisual's exclusive annual report, the Commercials 30, and finds that while budgets are down and production companies are under threat from agency in-house units, commercials producers are finding new horizons beyond ads too.
  • Commercials 30: Best in Show
    Commercials producers also get to vote for their favourite directors, stand out ads and top rated agencies along with their favourite post houses, editors and vfx ops. We reveal the results
  • Commercials 30: The Top 30
    Televisual reveals the Commercials 30 itself, the 30 top rated commercials production companies in the UK
  • Music in Motion
    So what’s next for the music behind the commercials? Will it be another year in the ascendant for London Grime perhaps? Portugese house? Afro beats or the Angolan kuduro sound?
  • Televisual Factual Festival report
    Last month saw Televisual's annual Factual Festival return to Bafta. How to stand out in a world of ever increasing viewer choice was the big theme this time. Tim Dams reports
  • Alison Kirkham in interview
    At the Televisual Factual Festival, the BBC's controller of factual Alison Kirkham outlined the shows the corporation is looking for in the year ahead
From the magazine
Available to read online
  • 2017: the year in review
    Two very different stories – the rise of SVOD players and the Harvey Weinstein abuse allegations – defined TV’s year. Tim Dams reports
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Reports&
surveys

Production Technology Survey, 2014 Back to Reports & survey Listing

The Cloud
It seems the move to the cloud is gaining traction, with programme makers increasingly drawn by the idea of remotely storing, editing and exporting content (see chdart below). Some 26% of respondents said they are or expect to use cloud based asset management or editing in the next 12 months, significantly up from 2% last year.



However, the majority, 43%, still aren’t or don’t think they will be using it in the next 12 months, citing low broadband speeds as holding back its take off.

Forscene and Avid Media Composer Cloud are the platforms most cited by survey respondents who are using cloud based technologies. Others are using Pronology, Aframe, Rapta and Fred.

DPP deadline

Two thirds of TV producers say they are ready to deliver digital compliant files to broadcasters by October, as agreed by the Digital Production Partnership (DPP). Worryingly, though, over one third say they are not ready for the deadline - or thought the changes weren’t applicable to them. “Never heard of it,” said several execs.



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