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November 2019
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  • The Facilities 50
    Jon Creamer launches Televisual's 32nd exclusive annual Facilities 50 survey featuring the top post production houses in the UK and 48 pages of analysis of the sector
  • Aim High
    10 page special report on production at the high end. We take a look at what’s new in colour management, pre visualisation, aerial filming, full frame shooting, the role of the DIT, working with Dolby Atmos, choosing the right codec, booking studios and
  • Drama: Genre Report
    As the streaming revolution gathers pace, with Apple TV+ and Disney+ now entering the SVOD fray, Tim Dams reports on the drama strategies of traditional broadcasters in an increasingly competitive market
  • Live Sport: Technology
    Live sports and events coverage, always on the cutting edge of innovation, is being transformed by new technology from remote production to 5G and immersive sound. Michael Burns reports
  • The Art of the Grade
    The grade provides a consistent ‘look’ to a drama, but a great grade can enhance mood, focus and narrative flow. Jon Creamer asks the experts behind Paddington, Ad Astra, Bohemian Rhapsody, Fleabag and more how it’s done
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Reports&
surveys

Production Technology Survey, 2014 Back to Reports & survey Listing

The Cloud
It seems the move to the cloud is gaining traction, with programme makers increasingly drawn by the idea of remotely storing, editing and exporting content (see chdart below). Some 26% of respondents said they are or expect to use cloud based asset management or editing in the next 12 months, significantly up from 2% last year.



However, the majority, 43%, still aren’t or don’t think they will be using it in the next 12 months, citing low broadband speeds as holding back its take off.

Forscene and Avid Media Composer Cloud are the platforms most cited by survey respondents who are using cloud based technologies. Others are using Pronology, Aframe, Rapta and Fred.

DPP deadline

Two thirds of TV producers say they are ready to deliver digital compliant files to broadcasters by October, as agreed by the Digital Production Partnership (DPP). Worryingly, though, over one third say they are not ready for the deadline - or thought the changes weren’t applicable to them. “Never heard of it,” said several execs.



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