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July 2018
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In the magazine
Only available in print
  • Live and direct
    From concerts to cup finals and ceremonial occasions, live events are increasingly important to broadcasters. Tim Dams reports
  • Cutting comments
    In advance of EditFest London 2018, four editors from the worlds of live action and animation who’ve shaped films from Top Gun to Wonderwoman 
to Sweeney Todd, tell Jon Creamer what it takes to create the perfect cut
  • All the World's a stage
    …And nowhere more than the UK, where studios are coping with an unprecedented demand for studio space from TV and film productions. Pippa Considine reports
  • Let's get high
    From the shoot to final delivery, Michael Burns discovers the best route to HDR
  • Tools of the trade
    Televisual’s annual Production Technology Survey reveals the kit that producers are using to make their content – and what they think of it. Jon Creamer reports
  • Get some focus
    Major changes in the camera market have 
made lens choice more important than 
ever. Phil Rhodes runs through some of 
the best options for programme makers
From the magazine
Available to read online
  • The art of the edit
    In advance of EditFest London 2018, four editors from the worlds of live action and animation tell Jon Creamer what it takes to create the perfect cut
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Reports&
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Commercials 30 2009 Back to Reports & survey Listing













Awards Top 10

The ten most awarded commercials production companies


1    Gorgeous
2    Rattling Stick
3    Partizan
4    Sonny
5    Outsider
6    Academy
7    Knucklehead
8    Stink
9    MJZ
10  HLA



Commissions Top 10
The ten outfits with the highest output of commercials


1    Space City
2    Another Film Co
3    2am
4    Aardman
5    HSI
6    Stink
7    Blink
8    Outsider
9    Nexus
10  Rogue



Directors Top 10
The top ten by the number of directors on the roster


1    RSA
2    Stink
=3  Blink
=3  HSI
5    Passion
=6  Partizan
=6  Tomboy Films
8    Moxie
=9  Hungryman
=9  th1ng

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