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July 2018
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  • Live and direct
    From concerts to cup finals and ceremonial occasions, live events are increasingly important to broadcasters. Tim Dams reports
  • Cutting comments
    In advance of EditFest London 2018, four editors from the worlds of live action and animation who’ve shaped films from Top Gun to Wonderwoman 
to Sweeney Todd, tell Jon Creamer what it takes to create the perfect cut
  • All the World's a stage
    …And nowhere more than the UK, where studios are coping with an unprecedented demand for studio space from TV and film productions. Pippa Considine reports
  • Let's get high
    From the shoot to final delivery, Michael Burns discovers the best route to HDR
  • Tools of the trade
    Televisual’s annual Production Technology Survey reveals the kit that producers are using to make their content – and what they think of it. Jon Creamer reports
  • Get some focus
    Major changes in the camera market have 
made lens choice more important than 
ever. Phil Rhodes runs through some of 
the best options for programme makers
From the magazine
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  • The art of the edit
    In advance of EditFest London 2018, four editors from the worlds of live action and animation tell Jon Creamer what it takes to create the perfect cut
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Reports&
surveys

Commercials 30 2009 Back to Reports & survey Listing

Peer poll top 10

We asked every commercials production company to name the rival
outfits they most respected. Below are the ten most nominated








=1. Gorgeous
It’s another year at the top of the peer poll for the ever admired Gorgeous. Its fellow production com
panies praised the outfit for “still doing great work” and because it still “dominates the field” as well as for being “ballsy” and “exciting.” 

=1. Rattling Stick
It’s another year at the top of the peer poll for Rattling Stick too, again joining Gorgeous in the number one position. Respondents lauded the company for its “top quality A-list work” and for being the home to “a great group” of “talented and fashionable directors.”

3. Partizan
Partizan takes a big leap up the peer poll this year from number six last time. Voters gave the outfit kudos for its “long-term creative excellence” and “for the sheer size of its roster and large campaigns” and also because it “develops young talent. Hardly anyone does this anymore.”

4. Sonny London
The home of Fredrik Bond makes it to this year’s number four position with voters praising its “incredible management and roster” and for being “small and select”.

5. Blink
Blink makes it to the five spot for its “consistency” and its “constantly good work” as well as being “always reliable” and “great at developing talent.”

6. Knucklehead
Knucklehead’s voters marked it out for being “small and focused, different and dynamic”, for its
“good consistent quality work” and because “Tim Katz is such a nice guy.”

=7. Academy
Work for Amnesty and the COI among others has kept Academy in the peer poll top ten once again

=7. MJZ
It’s work like Tom Kuntz’s Eyebrows for Cadbury’s Dairy Milk that has helped MJZ to hold on to its spot in the peer poll top ten

=9. Epoch
With some great spots in the Aviva campaign under its belt, Epoch is a new entrant to the peer poll to
p ten this year.

=9. Nexus
Animation powerhouse Nexus is admired by its peers for, among other things, its dedication to “innovation”.

=9. Outsider
Another new entrant to the peer poll top ten this year, Outsider is praised for
being “consistent and quietly getting on with it.”

=9. Passion
Another very creative year for animation specialist Passion with its Beatles Rock Band work marking it out from the pack.

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