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March 2018

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  • Genre report - Entertainment and comedy
    In a two-part special, Tim Dams reports on TV’s fresh focus on entertainment, and new directions in comedy
  • The art of cinematography
    Four leading DoPs tell Michael Burns the secrets of their craft, and explain the techniques they used to create hits like Jason Bourne, The King’s Speech, Lion and Sherlock
  • The Top Ten Cameras
    Televisual’s annual survey reveals the UK’s most hired cameras of the year and uncovers the models everyone will be shooting on in the year ahead
  • TV Studios
    The television studios sector is in flux, amid a spate of closures and re-developments. Pippa Considine reports on a changing studios landscape
  • Take it outside
    Major technical advances such as UHD, HDR and IP are driving big changes in the outside broadcast market. Michael Burns reports
  • And lots more
    This issue also features the Televisual Corporate 50, bright ideas for lighting, how post houses are dealing with the data bulge and pages showcasing the best creative work in UK post and vfx
From the magazine
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  • Game On for C4 & Netflix drama
    Set in the world of computer gaming, C4 and Netflix’s Kiss Me First combines live action and impressive cg animation. Tim Dams reports
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Commercials 30 2009 Back to Reports & survey Listing

Producers’ challenges and concerns

A snapshot of the feedback from producers asked in the Commercials 30 survey about their ongoing challenges and concerns for the year ahead

As every production company is painfully aware, budgets have dropped drastically. Not surprisingly this then is producers’ principal concern because “marketing budgets continue to fall, but people continue to expect the same production values for a third of the cost.” And producers know they have to, as one puts it  “maintain really high end production values with ever decreasing resources. It’s all about “battling the smaller budgets without sacrificing quality.” Because sacrificing quality hurts production companies down the line. As one puts it it’s about “making the right choices in the short term to ensure the longevity of our directors’ careers. Lowering the bar creatively just to keep people working will have a negative knock on effect in the future.”

The vast majority of production companies’ work continues to be the traditional TV spot commissioned through an agency, but with that model under pressure, and new models emerging, companies are looking at “how to make money doing stuff other than ads” as one puts it. They’re also looking to find work beyond that dished out by agencies and “embracing the move into direct to client advertising.” Part of diversification  is also working more and more in digital even though clients tend to think it can be done on the cheap so a concern is “persuading clients that online film is an original medium worthy of more investment.”

Talent development
Bringing on talent is a concern with the “development of truly original and talented directors in an ever decreasing market” a big challenge. As one company puts it “breaking new directors with increasingly conservative clients and shrinking budgets. These are both challenges AND concerns.”

Phantom projects
Another symptom of recession has been increasingly involved and competitive pitching processes for jobs that don’t eventually happen. “It is harder to get a sense of whether a project will actually come to fruition. We are often called in at very early stages and there is a lot of wastage in projects that are not lost in pitch, but instead never happen at all.”

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