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December 2017

In the magazine
Only available in print
  • The Televisual Commercials 30
    Jon Creamer introduces Televisual's exclusive annual report, the Commercials 30, and finds that while budgets are down and production companies are under threat from agency in-house units, commercials producers are finding new horizons beyond ads too.
  • Commercials 30: Best in Show
    Commercials producers also get to vote for their favourite directors, stand out ads and top rated agencies along with their favourite post houses, editors and vfx ops. We reveal the results
  • Commercials 30: The Top 30
    Televisual reveals the Commercials 30 itself, the 30 top rated commercials production companies in the UK
  • Music in Motion
    So what’s next for the music behind the commercials? Will it be another year in the ascendant for London Grime perhaps? Portugese house? Afro beats or the Angolan kuduro sound?
  • Televisual Factual Festival report
    Last month saw Televisual's annual Factual Festival return to Bafta. How to stand out in a world of ever increasing viewer choice was the big theme this time. Tim Dams reports
  • Alison Kirkham in interview
    At the Televisual Factual Festival, the BBC's controller of factual Alison Kirkham outlined the shows the corporation is looking for in the year ahead
From the magazine
Available to read online
  • 2017: the year in review
    Two very different stories – the rise of SVOD players and the Harvey Weinstein abuse allegations – defined TV’s year. Tim Dams reports
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Corporate 50 2014 Back to Reports & survey Listing

The corporate production companies most admired by their rivals

01 The Edge
The Edge retains its place at the top of the Corporate 50 Peer Poll for yet another year. The company is admired for “creating high end films at low cost,” for being “great people and the work is good” and also for being “still at the front” and for its “volume of work and size and client list” as well as its “government connections and contracts.”

02  Casual Films
Casual Films takes a major leap up the Peer Poll this year going from eighth to second spot due to its  “focus on high-end cinematography which is lacking from many companies’ output” as well as “delivering low cost solutions” and for its “consistent growth and excellent films.”

03 Lonely Leap
Lonely Leap pick up votes for being “great documentary makers” and “good storytellers” who are “strong visually.” While others cite its  “high production values and thought provoking filmmaking.”

04 Jack Morton
Jack Morton is admired for its “global scale and footprint” as well as its “creativity, size and reach,” its “consistently high standard of work” and simply because “they are what we want to be.”

05 Pretzel Films
Pretzel Films takes fifth position in the peer poll with respondents picking it out due to it “constantly achieving great work from a variety of clients,” its “high quality” and also for its policy of hiring “new directors” as well as its “nice range of work and speedy growth.”

06 New Moon
New Moon’s “very strong and established production model” is cited by one voter. Other respondents pick out its “differentiated proposition” while another says “love their launch into features.”

07= Imagination
Imagination’s “sustainability” wins plaudits from its peers as does its “great pedigree, heritage and consistency” and also its “strategy to convince clients to spend big.”

07= Pukka Films
Pukka is picked out for producing “creative award winning stuff” and for its “CEOP films and ambition with its own feature project.”

07= Wilder
Wilder picks up plaudits for its “quality of work” as well as for simply being “just great.”

10= Buddy, Cheerful Scout, DRP Group, Omni

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