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October 2017
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In the magazine
Only available in print
  • The Facilities 50
    Jon Creamer launches Televisual's 30th exclusive annual Facilities 50 survey featuring the top post production houses in the UK and 52 pages of analysis of the sector
  • Interview: Grant Mansfield
    Hiring top talent and investing heavily in development have been key to growing his Bristol indie Plimsoll Productions, says founder Grant Mansfield
  • The clear view: lenses
    What ever genre you work in, you need to be lens savvy. Here three DoPs guide us through the lens market, picking out the models they like to use in drama and factual
  • Over the top
    The growth of Netflix and Amazon is proving a boon for UK indies, but broadcasters are starting to panic. Tim Dams reports
From the magazine
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  • Blue Planet II
    The producers of Blue Planet II tell Tim Dams how tech advances and military planning helped them capture the secrets of the deep
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Reports&
surveys

Corporate 50 2014 Back to Reports & survey Listing

The corporate production companies most admired by their rivals

01 The Edge
The Edge retains its place at the top of the Corporate 50 Peer Poll for yet another year. The company is admired for “creating high end films at low cost,” for being “great people and the work is good” and also for being “still at the front” and for its “volume of work and size and client list” as well as its “government connections and contracts.”

02  Casual Films
Casual Films takes a major leap up the Peer Poll this year going from eighth to second spot due to its  “focus on high-end cinematography which is lacking from many companies’ output” as well as “delivering low cost solutions” and for its “consistent growth and excellent films.”

03 Lonely Leap
Lonely Leap pick up votes for being “great documentary makers” and “good storytellers” who are “strong visually.” While others cite its  “high production values and thought provoking filmmaking.”

04 Jack Morton
Jack Morton is admired for its “global scale and footprint” as well as its “creativity, size and reach,” its “consistently high standard of work” and simply because “they are what we want to be.”

05 Pretzel Films
Pretzel Films takes fifth position in the peer poll with respondents picking it out due to it “constantly achieving great work from a variety of clients,” its “high quality” and also for its policy of hiring “new directors” as well as its “nice range of work and speedy growth.”

06 New Moon
New Moon’s “very strong and established production model” is cited by one voter. Other respondents pick out its “differentiated proposition” while another says “love their launch into features.”

07= Imagination
Imagination’s “sustainability” wins plaudits from its peers as does its “great pedigree, heritage and consistency” and also its “strategy to convince clients to spend big.”

07= Pukka Films
Pukka is picked out for producing “creative award winning stuff” and for its “CEOP films and ambition with its own feature project.”

07= Wilder
Wilder picks up plaudits for its “quality of work” as well as for simply being “just great.”

10= Buddy, Cheerful Scout, DRP Group, Omni

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