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March 2018

In the magazine
Only available in print
  • Genre report - Entertainment and comedy
    In a two-part special, Tim Dams reports on TV’s fresh focus on entertainment, and new directions in comedy
  • The art of cinematography
    Four leading DoPs tell Michael Burns the secrets of their craft, and explain the techniques they used to create hits like Jason Bourne, The King’s Speech, Lion and Sherlock
  • The Top Ten Cameras
    Televisual’s annual survey reveals the UK’s most hired cameras of the year and uncovers the models everyone will be shooting on in the year ahead
  • TV Studios
    The television studios sector is in flux, amid a spate of closures and re-developments. Pippa Considine reports on a changing studios landscape
  • Take it outside
    Major technical advances such as UHD, HDR and IP are driving big changes in the outside broadcast market. Michael Burns reports
  • And lots more
    This issue also features the Televisual Corporate 50, bright ideas for lighting, how post houses are dealing with the data bulge and pages showcasing the best creative work in UK post and vfx
From the magazine
Available to read online
  • Game On for C4 & Netflix drama
    Set in the world of computer gaming, C4 and Netflix’s Kiss Me First combines live action and impressive cg animation. Tim Dams reports
Read >>


Corporate 50 2014 Back to Reports & survey Listing

The corporate production companies most admired by their rivals

01 The Edge
The Edge retains its place at the top of the Corporate 50 Peer Poll for yet another year. The company is admired for “creating high end films at low cost,” for being “great people and the work is good” and also for being “still at the front” and for its “volume of work and size and client list” as well as its “government connections and contracts.”

02  Casual Films
Casual Films takes a major leap up the Peer Poll this year going from eighth to second spot due to its  “focus on high-end cinematography which is lacking from many companies’ output” as well as “delivering low cost solutions” and for its “consistent growth and excellent films.”

03 Lonely Leap
Lonely Leap pick up votes for being “great documentary makers” and “good storytellers” who are “strong visually.” While others cite its  “high production values and thought provoking filmmaking.”

04 Jack Morton
Jack Morton is admired for its “global scale and footprint” as well as its “creativity, size and reach,” its “consistently high standard of work” and simply because “they are what we want to be.”

05 Pretzel Films
Pretzel Films takes fifth position in the peer poll with respondents picking it out due to it “constantly achieving great work from a variety of clients,” its “high quality” and also for its policy of hiring “new directors” as well as its “nice range of work and speedy growth.”

06 New Moon
New Moon’s “very strong and established production model” is cited by one voter. Other respondents pick out its “differentiated proposition” while another says “love their launch into features.”

07= Imagination
Imagination’s “sustainability” wins plaudits from its peers as does its “great pedigree, heritage and consistency” and also its “strategy to convince clients to spend big.”

07= Pukka Films
Pukka is picked out for producing “creative award winning stuff” and for its “CEOP films and ambition with its own feature project.”

07= Wilder
Wilder picks up plaudits for its “quality of work” as well as for simply being “just great.”

10= Buddy, Cheerful Scout, DRP Group, Omni

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