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July 2018
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In the magazine
Only available in print
  • Live and direct
    From concerts to cup finals and ceremonial occasions, live events are increasingly important to broadcasters. Tim Dams reports
  • Cutting comments
    In advance of EditFest London 2018, four editors from the worlds of live action and animation who’ve shaped films from Top Gun to Wonderwoman 
to Sweeney Todd, tell Jon Creamer what it takes to create the perfect cut
  • All the World's a stage
    …And nowhere more than the UK, where studios are coping with an unprecedented demand for studio space from TV and film productions. Pippa Considine reports
  • Let's get high
    From the shoot to final delivery, Michael Burns discovers the best route to HDR
  • Tools of the trade
    Televisual’s annual Production Technology Survey reveals the kit that producers are using to make their content – and what they think of it. Jon Creamer reports
  • Get some focus
    Major changes in the camera market have 
made lens choice more important than 
ever. Phil Rhodes runs through some of 
the best options for programme makers
From the magazine
Available to read online
  • The art of the edit
    In advance of EditFest London 2018, four editors from the worlds of live action and animation tell Jon Creamer what it takes to create the perfect cut
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Reports&
surveys

Corporate 50 2014 Back to Reports & survey Listing

The corporate production companies most admired by their rivals

01 The Edge
The Edge retains its place at the top of the Corporate 50 Peer Poll for yet another year. The company is admired for “creating high end films at low cost,” for being “great people and the work is good” and also for being “still at the front” and for its “volume of work and size and client list” as well as its “government connections and contracts.”

02  Casual Films
Casual Films takes a major leap up the Peer Poll this year going from eighth to second spot due to its  “focus on high-end cinematography which is lacking from many companies’ output” as well as “delivering low cost solutions” and for its “consistent growth and excellent films.”

03 Lonely Leap
Lonely Leap pick up votes for being “great documentary makers” and “good storytellers” who are “strong visually.” While others cite its  “high production values and thought provoking filmmaking.”

04 Jack Morton
Jack Morton is admired for its “global scale and footprint” as well as its “creativity, size and reach,” its “consistently high standard of work” and simply because “they are what we want to be.”

05 Pretzel Films
Pretzel Films takes fifth position in the peer poll with respondents picking it out due to it “constantly achieving great work from a variety of clients,” its “high quality” and also for its policy of hiring “new directors” as well as its “nice range of work and speedy growth.”

06 New Moon
New Moon’s “very strong and established production model” is cited by one voter. Other respondents pick out its “differentiated proposition” while another says “love their launch into features.”

07= Imagination
Imagination’s “sustainability” wins plaudits from its peers as does its “great pedigree, heritage and consistency” and also its “strategy to convince clients to spend big.”

07= Pukka Films
Pukka is picked out for producing “creative award winning stuff” and for its “CEOP films and ambition with its own feature project.”

07= Wilder
Wilder picks up plaudits for its “quality of work” as well as for simply being “just great.”

10= Buddy, Cheerful Scout, DRP Group, Omni

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