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December 2017
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In the magazine
Only available in print
  • The Televisual Commercials 30
    Jon Creamer introduces Televisual's exclusive annual report, the Commercials 30, and finds that while budgets are down and production companies are under threat from agency in-house units, commercials producers are finding new horizons beyond ads too.
  • Commercials 30: Best in Show
    Commercials producers also get to vote for their favourite directors, stand out ads and top rated agencies along with their favourite post houses, editors and vfx ops. We reveal the results
  • Commercials 30: The Top 30
    Televisual reveals the Commercials 30 itself, the 30 top rated commercials production companies in the UK
  • Music in Motion
    So what’s next for the music behind the commercials? Will it be another year in the ascendant for London Grime perhaps? Portugese house? Afro beats or the Angolan kuduro sound?
  • Televisual Factual Festival report
    Last month saw Televisual's annual Factual Festival return to Bafta. How to stand out in a world of ever increasing viewer choice was the big theme this time. Tim Dams reports
  • Alison Kirkham in interview
    At the Televisual Factual Festival, the BBC's controller of factual Alison Kirkham outlined the shows the corporation is looking for in the year ahead
From the magazine
Available to read online
  • 2017: the year in review
    Two very different stories – the rise of SVOD players and the Harvey Weinstein abuse allegations – defined TV’s year. Tim Dams reports
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Reports&
surveys

Corporate 50 2010 Back to Reports & survey Listing

41 Ten alps vision
Md Sam Morton 
Clients Product Portfolio Promos for Mamas & Papas; No Ways for Fused; Web TV – Entrepreneurs Forum TV for Entrepreneurs Forum


The newly formed Ten Alps Vision, a combination of Twenty First Century Media, Ten Alps MTD and digital marketing agency iGeneration sees the challenges for the year ahead as the “influx of one-man bands offering a complete service on a very low cost” as well as the general “increase in in-house production teams” and the “fallout in communications budgets.” There’s also now a far more “protracted procurement and pitch process – up from two meetings to an average of five to six 6!” to deal with. Despite all this, the company says that it’s coping during the recession and is still “growing in certain areas – new business is up.” But it says, it’s repeat business that is suffering.

42 Connected Pictures

Ceo Peter Penny Md Adam Penny
Clients Connected Car for Alcatel-Lucent; Making Connections Grow for Cargill; Web TV 3 (2009-2010) for ArcelorMittal


=43 Tangerine films
Mds Linda McKenzie, Gary Holder
Clients Range Rover Sport and Discovery -Brand Films for Land Rover; The All New XJ -Technical Films for Jaguar


=43 Take 3 Productions
Md Richard Smith
Clients Not Knowing’s Not Enough for Orange UK; North Sea Views for BP; Let’s Do Business for Post Office


45 Tigervision
Md Stephen Hervieu
Clients Counter IED and others for MOD; Various mini documentaries about their business for Accenture; Various training and awareness for Highways Agency


46 The Proudfoot Company
Md Michael Proudfoot
Clients The Rolex Mentor & Protege Arts Initiative for Rolex; Sothebys Private View for Sothebys; London 2012 film for LOCOG


47 Big Button
Mds Mark Burgess, Andy McNamara 
Clients Sleepless for Islamic Bank of Britain; RDI for McCann Erickson/RDI; Ash – Return of White Rabbit for Out There Management


48 Mills Media
Md Andrew Mills
Clients Mersey & Cheshire Cancer Network - Anticipatory Care Calendar; Cheshire Police - Spring Roadshows


49 EON Media
Md Matt Dass
Clients Viewpoint for Smith & Nephew; Buswise for East Riding of Yorkshire Council; Community Planning for Humber Wolds Rural Community Council


50 Dene films
Mds Steve Salam
Clients The World Changed for ONE NorthEast; Sustainable Vanilla for Firmenich; Dr. Who, Who Peter for 2 Entertain

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