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July 2018
£15.00


In the magazine
Only available in print
  • Live and direct
    From concerts to cup finals and ceremonial occasions, live events are increasingly important to broadcasters. Tim Dams reports
  • Cutting comments
    In advance of EditFest London 2018, four editors from the worlds of live action and animation who’ve shaped films from Top Gun to Wonderwoman 
to Sweeney Todd, tell Jon Creamer what it takes to create the perfect cut
  • All the World's a stage
    …And nowhere more than the UK, where studios are coping with an unprecedented demand for studio space from TV and film productions. Pippa Considine reports
  • Let's get high
    From the shoot to final delivery, Michael Burns discovers the best route to HDR
  • Tools of the trade
    Televisual’s annual Production Technology Survey reveals the kit that producers are using to make their content – and what they think of it. Jon Creamer reports
  • Get some focus
    Major changes in the camera market have 
made lens choice more important than 
ever. Phil Rhodes runs through some of 
the best options for programme makers
From the magazine
Available to read online
  • The art of the edit
    In advance of EditFest London 2018, four editors from the worlds of live action and animation tell Jon Creamer what it takes to create the perfect cut
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Reports&
surveys

Corporate 50 2010 Back to Reports & survey Listing

41 Ten alps vision
Md Sam Morton 
Clients Product Portfolio Promos for Mamas & Papas; No Ways for Fused; Web TV – Entrepreneurs Forum TV for Entrepreneurs Forum


The newly formed Ten Alps Vision, a combination of Twenty First Century Media, Ten Alps MTD and digital marketing agency iGeneration sees the challenges for the year ahead as the “influx of one-man bands offering a complete service on a very low cost” as well as the general “increase in in-house production teams” and the “fallout in communications budgets.” There’s also now a far more “protracted procurement and pitch process – up from two meetings to an average of five to six 6!” to deal with. Despite all this, the company says that it’s coping during the recession and is still “growing in certain areas – new business is up.” But it says, it’s repeat business that is suffering.

42 Connected Pictures

Ceo Peter Penny Md Adam Penny
Clients Connected Car for Alcatel-Lucent; Making Connections Grow for Cargill; Web TV 3 (2009-2010) for ArcelorMittal


=43 Tangerine films
Mds Linda McKenzie, Gary Holder
Clients Range Rover Sport and Discovery -Brand Films for Land Rover; The All New XJ -Technical Films for Jaguar


=43 Take 3 Productions
Md Richard Smith
Clients Not Knowing’s Not Enough for Orange UK; North Sea Views for BP; Let’s Do Business for Post Office


45 Tigervision
Md Stephen Hervieu
Clients Counter IED and others for MOD; Various mini documentaries about their business for Accenture; Various training and awareness for Highways Agency


46 The Proudfoot Company
Md Michael Proudfoot
Clients The Rolex Mentor & Protege Arts Initiative for Rolex; Sothebys Private View for Sothebys; London 2012 film for LOCOG


47 Big Button
Mds Mark Burgess, Andy McNamara 
Clients Sleepless for Islamic Bank of Britain; RDI for McCann Erickson/RDI; Ash – Return of White Rabbit for Out There Management


48 Mills Media
Md Andrew Mills
Clients Mersey & Cheshire Cancer Network - Anticipatory Care Calendar; Cheshire Police - Spring Roadshows


49 EON Media
Md Matt Dass
Clients Viewpoint for Smith & Nephew; Buswise for East Riding of Yorkshire Council; Community Planning for Humber Wolds Rural Community Council


50 Dene films
Mds Steve Salam
Clients The World Changed for ONE NorthEast; Sustainable Vanilla for Firmenich; Dr. Who, Who Peter for 2 Entertain

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