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Facilities 50 2012 Back to Reports & survey Listing

21. Hogarth Worldwide

www.hogarthww.com
164 Shaftesbury Avenue, London, WC2H 8HL
Also has branches in Singapore, Mexico City, New York and Hong Kong t 020 7240 6400 e info@hogarthww.com
Mds Barry Jones, Kevan Thorn Facility manager Giles McGarrigle Customer services Richard Ireland Genres ads, corporate Credits Mattel TVC Global adaptation, Vodafone My Way, ad for Chevrolet Services audio (5.1), vfx (2d, 3d, animation), editing, camera hire
Turnover £15m
KIT 21st= PRODUCER – TURNOVER 8th= PEER –
Hogarth, which is part owned by WPP, calls itself a ‘marketing implementation agency.’ It has carved out a good business that’s largely based around localising and reversioning commercials campaigns in TV, digital and print media for different worldwide territories for WPP’s ad agencies. As part of the offer, it also provides language and script ‘transcreation’ services, subtitling, and complex asset management services. It’s a growing business that has seen the company expand its London facilities, as well as having offices in Singapore, Hong Kong, New York, Mexico City, Buenos Aires and Bucharest. Hogarth’s growth has had an impact on the bottom line of other commercials post houses, which traditionally have handled this kind of work.

22. 422.tv

www.422.tv
4th Floor, South Central, 11 Peter Street, Manchester, M2 5QR and Dalintober Hall, Dalintober St, Glasgow, G5 8NW t 0161 839 6080 e production@422.tv
Md David Jackson Facility managers Damien Lynch, Brian Suttie Customer services Kerry Keenan Genres ads, TV, corporate Credits Ask Rhod Gilbert, Everything’s Rosie Services audio (5.1, Foley, ADR), grading (4k), vfx (2d, 3d, animation), editing, DVD, Blu-ray, TV studios Turnover £4m
KIT 18th= PRODUCER 18th= TURNOVER 24th= PEER –
442 mainly serves TV and ad clients, and says 2012 has been busy with the BBC’s move to Salford, in particular, being positive for business.

23. Absolute Post

www.absolutepost.com
8 Poland Street, London, W1F 8PX
t 020 7851 6700 e andy.barmer@absolutepost.com
CEO David Smith Md Andy Barmer Production director Belinda Grew Genres ads Credits Prometheus trailer, Dunhill (augmented reality), Pennies For Life Services audio, grading (4k), vfx (2d, 3d, animation), editing, DVD, Blu-ray Turnover £6.9m
KIT 28th= PRODUCER 25th= TURNOVER 19th= PEER -
Absolute has steadily grown from a boutique commercials vfx house, set up by ex-The Mill Flame artist David Smith in 2004, to a much larger concern with an offshoot branch in New York. Absolute has complemented its core commercials work with a number of interactive and augmented reality projects. Managing director Andy Barmer says the highpoint of the year was winning a Cannes Golden Lion for its digital billboard for the Pennies for Life campaign

24. Onsight


www.onsight.co.uk
14-15 Berners Street, London, W1T 3LJ
t 020 7637 0888 e hello@onsight.co.uk
CEO Simon Craddock Facility manager David Wilde Genres TV, corporate, ads, promos, film Credits Madam Butterfly 3D, Kingdom of Plants 3D, Red Dwarf X Services audio (5.1), grading (4k), vfx (2d, 3d), editing, DVD, Blu-ray, Film (restoration, recording, cutting) Camera hire Turnover £4m
KIT 32nd= PRODUCER 16th= TURNOVER 24th PEER -
Recognised for its expertise in 3d production and post, Onsight works in TV, film, music and live events and has impressive credits to its name. Operations director Andy Shelley says the year started fairly slowly, but has gained momentum from the spring onwards. Credits include David Attenborough’s Kingdom of Plants 3d.

25. Splice
www.splicetv.com
38 Kingsland Road, 21a Perseverance Works, London, E2 8DD t 020 7033 9944 e bookings@splicetv.com
Mds Duncan Western, Damian Dolniak Customer Services Ramit Anchal Genres TV, corporate, film Credits Queen’s Mother in Law, The Midnight Beast Services audio (5.1, ADR), grading (4k), vfx (2d, 3d, animation), editing, DVD, Blu-ray, Film cutting, TV studios Turnover £3.2m KIT 14th PRODUCER 11th= TURNOVER 32nd PEER -
Shoreditch-based Splice is popular with production companies based in East London. It’s recently expanded, opening up a new floor with eight more Avid suites and an additional grading theatre. The new floor has already been used by Warp Films for E4 series The Midnight Beast and Fresh One’s C4 series Jamie’s 15 Minute Meals. Splice says the expansion has increased its capacity by a third and that it is looking to expand further in 2013. “We have been able to work on more films and drama due to the grading theatre,” says Splice’s Romana Waliczek.Splice has 35 full time staff on its books, and says 70% of its work is in TV, 10% in film and 10% in corporate.

26. Crow TV

www.crowtv.com
Unit 1.5 & 1.6, Shepherds Building East, W14 0DQ
t 0870 850 1008 e info@crowtv.com
Md Max McGonigal Facility manager Marley Brian Customer services Bryony Edmunds Genres TV Credits Seconds From Disaster, Pointless, Super Size Super Skinny Services audio (5.1), grading (2k), vfx (2d, 3d, animation), editing, DVD, Blu-ray Turnover £3.7m
KIT 24th= PRODUCER 23rd= TURNOVER 29th PEER –
West London-based Crow TV has carried out a series of upgrades this year that will allow it to offer file-based delivery to broadcasters. “Alongside refining our client experience, we have focused on increasing performance through technology upgrades,” says new md Max McGonigal.

27. Unit

www.unit.tv
50 Great Marlborough Street, London, W1F 7JS
t 020 7494 5700 e production@unit.tv
Md Adam Luckwell Facility manager Lucy Butler Customer services Andrew Swepson, Darryl Bolton Genres ads, corporate, TV, promos Credits Ads for Audi, Talk Talk, Virgin Media  Services audio (5.1, Foley, ADR), grading (4k), vfx (2d, 3d, animation), editing, DVD, Blu-ray Turnover £5m
KIT 36th= PRODUCER 46th TURNOVER 21st= PEER 20th=
Unit opened up to great fanfare six years ago with its entirely Apple-equipped editing rooms, but this year has now also chosen to invest in Avid’s Media Composer 6, citing client demand for professional-grade editing services. The change to Avid is part of a move to bring in higher-profile projects and position itself as a top-end Soho facility. Next year, Unit plans to add an extra grading suite, two audio suites and more seats in its vfx department.60% of Unit’s work is in TV, and it employs 50 full-time staff.

28. The Pinewood Studios Group
www.pinewoodgroup.com
Pinewood Road, Iver Heath, Bucks, SL0 0NH
t 01753 651 700 e post@pinewoodgroup.com
Md Ivan Dunleavy Facility manager Giles Farley Customer services Nigel Bennett Genres film, TV Credits Would I Lie to You?, Dredd, The Angel’s Share, Quartet Services audio (5.1, Foley, ADR), grading (4k), telecine (2k), editing, DVD, Blu-ray, film (restoration, recording), TV studios Turnover £8m
KIT 28th= PRODUCER - TURNOVER 18th PEER -
The Pinewood Studios Group bills itself as a one stop shop where you can walk in with a script and walk out with a finished TX master. Offering both its famous studios and post production services, it has sought to increase the number of projects that make use of full production and post production. Pinewood’s Nigel Bennett says: “ If you’re producing film, TV, games or new media content we can manage your assets from their inception all the way through to distribution, in any format and in more than 40 different languages.”

29. Sumners


www.sumners.co.uk
Barclay House, 35 Whitworth Street West, Manchester, M1 5NG t 0161 228 0330
e andy@sumners.co.uk
Mds Andy Sumner, Janet Sumner Facility manager Lucy Swann Customer services Nicola Spanou Genres TV Credits Dragons’ Den, Waterloo Road, Young Dracula Services audio (5.1, Foley, ADR), grading (4k), vfx (2d, 3d), editing Turnover £3m KIT 28th= PRODUCER 28th TURNOVER 33rd= PEER 20th=

30. Big Buoy


www.bigbuoytv.co.uk
71 Beak Street, London, W1F 9SW
t 020 3206 6750 e production@bigbuoytv.co.uk
Mds Jim Allen, Colin Sumsion Facility manager Sawsan Farhan Managing partner Jon Hurst Genres ads Credits Mattessons Hank Marvin, AXA Sidekick, Services grading (4k), telecine (2k), vfx (2d, 3d), editing, DVD, Blu-ray Turnover £3.3m
KIT 34th= PRODUCER 27th TURNOVER 31st PEER –
Ad-focused outfit Big Buoy offers editing, grading and high-end vfx. Md Jim Allen says 2012 has been challenging, pointing to shrinking budgets, shorter schedules and plenty of competition. “There is a definite need to stand out in an increasingly crowded marketplace, so our work has to speak for itself. “

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