Subscribe Online  

September 2018

In the magazine
Only available in print
  • The Production 100
    Tim Dams introduces Televisual’s exclusive Production 100 survey of the indie television sector, now in its 26th year, and finds the rise of the streamers is creating opportunity –but also plenty of anxiety. The report includes the top 100 indies, the
  • The Genre report: Factual TV
    Demand for factual is growing as channels fight ever harder for audiences. Televisual Factual Festival producer Pippa Considine reports
  • All the Fun of the Fair
    ITV and Amazon’s new Vanity Fair adaptation demanded a period drama with a modern sensibility. But how was that balancing act achieved? Jon Creamer reports
  • The Art of the Vfx Super
    Creativity, tech know-how and a cool head are essential attributes for a vfx supervisor. Three top supers tell Jon Creamer how they help create screen magic
  • Channel 4's big move
    Three cities are still in the running for the new out-of-London Channel 4 HQ and three for the two creative hubs. The indies in those cities say the potential prize is immense. Jon Creamer reports
  • IBC preview
    IBC is a great place to check out both new launches and to get your hands on something already announced at NAB. Here’s a small taste of what’s likely to be on offer
From the magazine
Available to read online
Read >>


Facilities 50 2012 Back to Reports & survey Listing

The post houses most admired by their competitors and a selection of the reasons why:

1. The Mill
“It just keeps going and growing” and is “the standard bearer, the pinnacle of the business.” Other rivals say The Mill is “amazingly creative and highly business minded,” citing its “amazing brand, image, scale of work and quality of vfx.” One adds: “Whatever problems they may have they always get their PR right.”

2. MPC
“Its work is some of the best in the world,” says one rival, while another points to its “expertise and creativity across all visual media.” MPC has “global respect and recognition”, “good management” and “has worked on some iconic vfx movies in the past year, most noticeably Prometheus.” It’s a “good competitor, helping to drive the industry forward.”

3. Framestore
Framestore is a “fantastically run facility which manages to maintain a ‘boutique’ feel.” They “always do the best creatures” and “continue to push the boundaries and create great work.” Rivals respect Framestore’s “staff, diversity of work, culture, excellence of work and involvement in the creative community.”

4. Envy
Envy is “expanding when others are failing” and “seems to grow exponentially whatever the financial climate.” Rivals admire its “size, image, location, aggressiveness and client base”, describing it as “loud and proud but well run and unique.” Envy has “produced some really exciting TV work as well as some strong commercials this year”, and is rated for the “quality of its service and post experience.”

5. The Farm
The Farm is a “boutique post house on a grand scale” and “knows the producers’ needs inside out.” Rivals call it a “class act” that “just gets on with it, quietly and solidly.” The Farm “consistently delivers high profile projects” and boasts “great management of reality TV projects.” It’s described as “well organised and run” and “ruthless.”

6. Double Negative
Double Negative has grown into “the London power house of vfx. They won an Oscar. Enough said.” Rivals cite its “global respect and recognition.” Double Negative “works on the biggest movies in the world and produces exceptional work. It’s grown to be one of the biggest vfx facilities in the world.”

7. Rushes
Rushes “still has some of the nicest people in the business.” It  “very capably retains its clients”, and is picked out because it “ invests in the Soho Short Film Festival.”

8=. Films at 59
Films at 59 is a “friendly facility with loyal clients that enjoys a strong local reputation.” It also has “expertise in key genres” and an “efficient team.”

8=. Molinare
“The strength of the brand enables it to survive yet another change of ownership,” says one rival, while another cites “its perseverance, the people, and exceptional production team.” It is “still going strong even after all the takeovers.”

10. Glassworks
Glassworks has “high quality work and loyalty from clients” and boasts “innovation in creative projects.”

More Chapters


Televisual Media UK Ltd 23 Golden Square, London, W1F 9JP
©2009 - 2017 Televisual. All rights reserved
Use of this website signifies your agreement to the Terms of Use | Disclaimer