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June 2018
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In the magazine
Only available in print
  • Live and direct
    From concerts to cup finals and ceremonial occasions, live events are increasingly important to broadcasters. Tim Dams reports
  • Cutting comments
    In advance of EditFest London 2018, four editors from the worlds of live action and animation who’ve shaped films from Top Gun to Wonderwoman 
to Sweeney Todd, tell Jon Creamer what it takes to create the perfect cut
  • All the World's a stage
    …And nowhere more than the UK, where studios are coping with an unprecedented demand for studio space from TV and film productions. Pippa Considine reports
  • Let's get high
    From the shoot to final delivery, Michael Burns discovers the best route to HDR
  • Tools of the trade
    Televisual’s annual Production Technology Survey reveals the kit that producers are using to make their content – and what they think of it. Jon Creamer reports
  • Get some focus
    Major changes in the camera market have 
made lens choice more important than 
ever. Phil Rhodes runs through some of 
the best options for programme makers
From the magazine
Available to read online
  • The art of the edit
    In advance of EditFest London 2018, four editors from the worlds of live action and animation tell Jon Creamer what it takes to create the perfect cut
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Reports&
surveys

Production 100 2012 Back to Reports & survey Listing

£2.1bn: Total UK turnover of Production 100 indies
36%: Percentage of indies that think business will improve next year
60%: Percentage of indies that think budgets have fallen in the past year
7,405: Number of full time staff employed by Production 100 indies
48%: Percentage of the indie production sector that is owned by foreign investors
12%: Percentage of turnover an average indie derives from rights exploitation
80.5%: The percentage of turnover an average indie derives from TV production
86%: Percentage of indies that say they plan to remain independent next year. 11% say they are looking to sell
3%: Percentage of turnover an average indie derives from new media

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