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March 2018
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In the magazine
Only available in print
  • Genre report - Entertainment and comedy
    In a two-part special, Tim Dams reports on TV’s fresh focus on entertainment, and new directions in comedy
  • The art of cinematography
    Four leading DoPs tell Michael Burns the secrets of their craft, and explain the techniques they used to create hits like Jason Bourne, The King’s Speech, Lion and Sherlock
  • The Top Ten Cameras
    Televisual’s annual survey reveals the UK’s most hired cameras of the year and uncovers the models everyone will be shooting on in the year ahead
  • TV Studios
    The television studios sector is in flux, amid a spate of closures and re-developments. Pippa Considine reports on a changing studios landscape
  • Take it outside
    Major technical advances such as UHD, HDR and IP are driving big changes in the outside broadcast market. Michael Burns reports
  • And lots more
    This issue also features the Televisual Corporate 50, bright ideas for lighting, how post houses are dealing with the data bulge and pages showcasing the best creative work in UK post and vfx
From the magazine
Available to read online
  • Game On for C4 & Netflix drama
    Set in the world of computer gaming, C4 and Netflix’s Kiss Me First combines live action and impressive cg animation. Tim Dams reports
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Reports&
surveys

Production 100 2012 Back to Reports & survey Listing

£2.1bn: Total UK turnover of Production 100 indies
36%: Percentage of indies that think business will improve next year
60%: Percentage of indies that think budgets have fallen in the past year
7,405: Number of full time staff employed by Production 100 indies
48%: Percentage of the indie production sector that is owned by foreign investors
12%: Percentage of turnover an average indie derives from rights exploitation
80.5%: The percentage of turnover an average indie derives from TV production
86%: Percentage of indies that say they plan to remain independent next year. 11% say they are looking to sell
3%: Percentage of turnover an average indie derives from new media

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